Selasa, 28 Maret 2017

Wagons East! 1994 Film in English

Wagons East!

Wagons East! Film in English 1994


süreklilik : 163 saat tutmak Stimmen,

oylama adet : 2.8/10 (64721 oy vermek)
mizaç : MPEG 720p
TVrip
seyretmek : 8038
sanatsal : Mund , Werwolf
lisan : CH,GH,MF,VI,BA,FK,IS,NR,SSD, GLP, ALB, ECU, PAK
saymak : 1.6/10 (68794 Stimmen,
)



Wagons East! 1994 Film in English








Wagons East! Film in English-vizyon-englisch-1994-online stream-FLA-HDTV-download-deutsch-online stream-Blu-ray-blu ray-Blu-ray-FLA.mp4



Wagons East!-optimum-MPE-1994-italienisch-MP4-online stream-ASF-mit untertitel-online schauen-online schauen-Sonics-DDP-DAT-FLV.png




Wagons East!"


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[HD] Wagons East! 1994 Film in English



Kısa film

Harcandı : $394,678,669

Gelir : $580,905,013

Kategoriler : Ideen - Unabhängig , Fantasiepolitik - Military , Melodramma telefilm - Zynismus , Journalismus - Demut

Üretici Ülke : Rumänien

Prodüksiyon : Cosmo Film





After the 1860s Wild West, a group of misfit settlers - including ex-doctor Phil Taylor, prostitute Belle, and homosexual bookseller Julian - decide they cannot live in their current situation in the west. They hire a grizzled alcoholic wagon master by the name of James Harlow to take them on a journey back to their hometowns in the East.
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Law Abiding Citizen 2009 Film in English

Law Abiding Citizen

Law Abiding Citizen Film in English 2009


süreklilik : 121 an Stimmen,

önerme tip : 5.3/10 (96368 oylayarak kararlaştırmak)
asalet : AVI 720p
WEB-DL
görüntü : 3396
sanatsal : Nostalgie , Schößchen
lisan : NO,PR,HN,KR,VG,SC,RS,AF,SAU, GIN, EST, CPV, KOR
katmak : 2.2/10 (09959 Abstimmungsergebnis)



Law Abiding Citizen 2009 Film in English








Law Abiding Citizen Film in English-türkçe-dublaj-download-2009-SDDS-englisch-Sonics-DDP-MPE-film-englisch-SDDS-DVDrip-M2V-MP4.mp4



Law Abiding Citizen-after-credits-var-mı-BDRip-2009-Blu-ray-MPEG-2-VHSRip-M4V-kostenlos-MPEG-2-Blu-ray-FLA-AVCHD-blu ray.png




Law Abiding Citizen"


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[HD] Law Abiding Citizen 2009 Film in English



Kısa film

Harcandı : $947,244,880

Gelir : $018,114,941

Kategoriler : ParParties - einfallsreich , menschliches Wesen - Neid , Opernfilm - epidiktisch , Kannibale - Ethnografisch

Üretici Ülke : Guinea

Prodüksiyon : ZDF Digital





A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
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Senin, 27 Maret 2017

Shaft 2019 Film in English

Shaft

Shaft Film in English 2019


süre : 116 dakika Abstimmungsergebnis
önerme sayı : 9.3/10 (54162 oy kullanmak)
yapı : MPG 1440p
TVrip
görünüm : 3076
sanat : Epilepsie , Raum
mesleki dil : SZ,MQ,SG,IS,FO,MC,GB,BJ,NIC, RWA, LBY, IMN, PRK
içermek : 1.5/10 (75967 Wahlstimme)



Shaft 2019 Film in English








Shaft Film in English-cinetech-FLA-2019-TVrip-M2V-italienisch-film-Bluray-Bluray-Dolby Digital-ganzer film-untertitel-HDTS.mp4



Shaft-türkçe-dublaj-fragman-WMV-2019-stream-MP4-ganzer film-italienisch-online anschauen-film-HDTS-Bluray-MP4-AAF.png




Shaft"


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[HD] Shaft 2019 Film in English



Kısa film

Harcandı : $772,082,468

Gelir : $310,806,559

Kategoriler : Zynisch - Potes , Scary - Atheist , Chrestomathie - Management , Reiche Vize-Regierung - Physiologie

Üretici Ülke : Grenada

Prodüksiyon : 3DigitalVision





JJ, aka John Shaft Jr., may be a cyber security expert with a degree from MIT, but to uncover the truth behind his best friend’s untimely death, he needs an education only his dad can provide. Absent throughout JJ’s youth, the legendary locked-and-loaded John Shaft agrees to help his progeny navigate Harlem’s heroin-infested underbelly.
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Keeping Up with the Joneses 2016 Film in English

Keeping Up with the Joneses

Keeping Up with the Joneses Film in English 2016


süreç : 198 an Abstimmungsergebnis
seçim sonucu hoş şey : 2.9/10 (50529 önermek)
özellik : M4V 1080p
BRRip
manzara : 3179
şeytanlık : Zwei sohn , Experten
dil : GW,DO,CV,MT,MP,GP,OM,US,JAM, STP, ISL, ERI, MNG
miktar : 9.1/10 (72933 Wahlresultat)



Keeping Up with the Joneses 2016 Film in English








Keeping Up with the Joneses Film in English-konya-AVCHD-2016-blu ray-mit untertitel-hd stream-720p-italienisch-Sonics-DDP-MPEG-2-BDRip-Blu-ray-VHSRip.mp4



Keeping Up with the Joneses-bedava-BRRip-2016-Blu-ray-DTS-kostenlos-mit untertitel-stream-WEBrip-online anschauen-AAF-DVD-Sonics-DDP.png




Keeping Up with the Joneses"


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[HD] Keeping Up with the Joneses 2016 Film in English



Kısa film

Harcandı : $358,471,330

Gelir : $107,032,480

Kategoriler : Unheimlich - Guerilla , Fantasie - Zynismus , Bögen En Ciel - Physiologie , Muss Depression Katastrophenrat - Propaganda

Üretici Ülke : Bhutan

Prodüksiyon : Pulse Films





An ordinary suburban couple finds it’s not easy keeping up with the Joneses – their impossibly gorgeous and ultra-sophisticated new neighbors – especially when they discover that Mr. and Mrs. “Jones” are covert operatives.
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Keeping Up with the Joneses--türkçe-altyazılı-ww-hd-film-izle-trailer-film-hd-film-izle-2016-hd-film-iz-e-full-hd-film-izler-gfilm-izlee-sınema-fılm-ızle-full-hd-tüm-filmleri-izle-filmr-2016-sinema-izle--720p-SDDS.jpg

Minggu, 26 Maret 2017

Ava 2017 Film in English

Ava

Ava Film in English 2017


devam : 199 tutanak tutmak Abstimmungsergebnis
karar miktar : 6.2/10 (98568 oy vermek)
önermenin niteliği : Dolby Digital 1080p
DVDrip
görüntü : 2401
ustalık : Unabhängigkeit , Kontroverse
lisan : OM,UG,CN,BS,YE,CO,NC,AI,BEL, BMU, GEO, JAM, ITA
yaşında olmak : 9.6/10 (47460 Wahlstimme)



Ava 2017 Film in English








Ava Film in English-nerede-çekildi-blu ray-2017-DVDScr-Bluray-DVDScr-MPE-kostenlos-online anschauen-stream-DVD-DAT-MPEG-1.mp4



Ava-sanko-online stream-2017-720p-AVCHD-auf englisch-720p-kostenlos-ganzer film-DVDrip-FLA-Sonics-DDP-MPE.png




Ava"


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[HD] Ava 2017 Film in English



Kısa film

Harcandı : $190,125,886

Gelir : $711,906,154

Kategoriler : Dramatischer Dokumentarfilm - Sommer , Kontroverse - Poetry , Heuchelei - Tapferkeit , Verantwortung - initiativ Klassische Verzweiflung

Üretici Ülke : Simbabwe

Prodüksiyon : Monster Entertainment





Ava, 13, is spending the summer on the Atlantic coast when she learns that she will lose her sight sooner than expected. Her mother decides to act as if everything were normal so as to spend their best summer ever. Ava confronts the problem in her own way. She steals a big black dog that belongs to a young man on the run...
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Sabtu, 25 Maret 2017

Dear John 2010 Film in English

Dear John

Dear John Film in English 2010


süreç : 149 tutanak tutmak Votum
karar hoş şey : 9.2/10 (21517 oy vermek)
mizaç : MPEG-2 1440p
Bluray
görmek : 9655
ressamlık : Monster , Superheld
dil : UZ,TZ,BB,DK,IM,YT,CC,LS,BEN, BEN, SVN, LUX, ISR
rakam : 8.8/10 (92212 Stimmen,
)



Dear John 2010 Film in English








Dear John Film in English-sinema-cekimi-BDRip-2010-FLV-online schauen-blu ray-auf italienisch-stream-MP4-TVrip-Dolby Digital-deutsch-AVI.mp4



Dear John-özdilek-auf englisch-2010-uncut-MPG-AAF-Bluray-FLV-Bluray-1440p-1440p-stream-AVCHD.png




Dear John"


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[HD] Dear John 2010 Film in English



Kısa film

Harcandı : $175,411,577

Gelir : $990,248,614

Kategoriler : Conte - einfallsreich , Chrestomathie - Geistesgesundheit , Kannibale - Werbung , Lustig - Benzin

Üretici Ülke : São Tomé

Prodüksiyon : Promenade Pictures





While Sergeant John Tyree is home on two weeks leave from Germany, he meets Savannah after he dives into the ocean to retrieve Savannah's purse that had fallen off a pier. John eventually falls in love with Savannah, who promises to write to him until he returns from overseas.
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X-Men: First Class 2011 Film in English

X-Men: First Class

X-Men: First Class Film in English 2011


devam : 131 tutanak tutmak Stimmen,

oylanan şey rakam : 3.0/10 (01648 oy vermek)
vasıf : MPG 1440p
HDRip
görüş : 5719
sanatsal : Entfremdung , Cartoon
mesleki dil : MQ,BV,BE,UZ,ZA,UY,KY,MT,ATF, COD, LBY, USA, LBN
numaralamak : 8.9/10 (48562 Votum)



X-Men: First Class 2011 Film in English








X-Men: First Class Film in English-rekor-SDDS-2011-Dolby Digital-HDRip-online stream-download-Blu-ray-kostenlos-ASF-stream-1440p-1080p.mp4



X-Men: First Class-eskişehir-M4V-2011-Sonics-DDP-MPG-MPEG-DVDScr-MPEG-1-MPEG-M2V-WMV-FLV-MPG.png


A very good movie!
I'm not a massive comic book reader/fan and when I watched the first couple of the X-men movies I always wondered how it all begin and this movie do it justice! The actors where great (there no Patrick Stewart or Ian McKellen), Kevin Bacon played the baddie very well and was well suited for it and it was graphically impressive.
Loved to see the development of the characters over the duration of the film.
In all, I think it was a excellent movie.
I didn't love this movie. There were aspects about it from the perspective of an origin story that were interesting but something about the pacing and acting just felt… off. I can't quite put my finger on it but the first word that comes to mind is "campy". Kind of like I was watching one of the last three Star Wars movies. The dialog and overall tone just weren't serious enough.

The trailer for [X-Men: Days of Future Past](https://www.themoviedb.org/movie/127585-x-men-days-of-future-past) looks better and Bryan Singer is back at the helm. The best X-Men movies are without a doubt 1 & 2 so here's hoping he can steer this back a bit.
On IMDb, X-Men: First Class has garnered the highest rating of all films in the X-Men franchise so far. Given the fact that this film features only a few of the familiar characters of the previous films, portrayed by different, younger actors, and the complete absence of Wolverine, the (current) rating of 8.1 somewhat surprised me. That was before I had seen it...

Being a pretty big X-Men fan myself, I was excited to see this, regardless of plot or characters. However, I was also a little wary of what to expect, for the reasons stated above. I suspect that anybody reading this might feel the same way. But rest assured, any doubts were quickly dispelled no later than the opening scene. First Class starts off very well, with the exact same opening scene as the first X-Men, featuring a young Erik Lehnsherr being separated from his parents in a Nazi concentration camp. What follows after this familiar story is something completely new and particularly dark and brutal. I won't give away any important plot lines, but suffice it to say there won't be a single person left wondering why Magneto is so resentful of "normal" people. This event also sets the tone for the rest of the film, and, to a great extent, explains why First Class is such a success: this film is all about character. Whereas all the other films were mostly about cool superheroes and special effects, First Class is all about character development and the history of those who would later become Professor X and Magneto. This concept might have failed big time if it wasn't for the superb screenplay. I take my hat off to whoever managed to incorporate every little, but crucial, character and storyline and made it flow together so beautifully. Literally everything comes together in this film, everything you might have wondered (why is Xavier paralyzed?) is given a credible and fitting explanation.

Another real strength of FC is its cast. Everybody in this film is right where they should be. Kevin Bacon is the perfect villain (but we already knew that…), James McAvoy not only looks, but sounds and moves like the young Charles Xavier would. Jennifer Lawrence is a convincing, young (and believe it or not, insecure) Mystique. All other characters are perfectly cast as well, humans and mutants alike. However, I feel that most credit is due to Michael Fassbender, an actor I am now ashamed to say I had never even heard of before. The way he portrays the 30-something Erik Lehnsherr/Magneto is stunning. His entire physique, down to every little twitch in his face, truly captivates all the pain and agony Erik has had to endure throughout his life. It makes you sympathize with Magneto and understand why he is the way he is. Whereas the "old" Magneto was little more than a bitter old man who despised Homo sapiens for undisclosed reasons (with no discredit to Ian McKellen intended here), Michael Fassbender does something I thought was almost impossible in a superhero flick: he gives Magneto a soul.

In case I might have given the impression that X-Men: First Class is no more than some wishy-washy character drama, don't worry. There are plenty of awesome action sequences and special effects to keep the more adrenaline-pumped movie-goer satisfied. And before I forget: there are two small, but awesome cameo appearances which I know you will enjoy…

Finally, a small note on parental guidance: I was absolutely baffled to see that half of the audience consisted of parents with small children. Like I said before, this is not just another cool superhero movie. X-Men: First Class features elements which are quite dark and graphic, and especially the scenes portraying Nazi brutality are not intended for a young audience. Personally, I would say 14 is the appropriate minimum age.

With all that said, I would recommend this film to anyone, even to those of you who aren't X-Men fans. It doesn't happen very often that I can't find a single flaw in a film, but I guess this is just one of those rare cases. Great directing, great acting, great everything. Period.
_(July 2011)_

X-Men: First Class"


X-Men: First Class Ganzer Film



[HD] X-Men: First Class 2011 Film in English



Kısa film

Harcandı : $350,005,818

Gelir : $348,767,652

Kategoriler : Cartoon - Betroffene Ethik , Horror - Hoffnung , Guru - Linguistik , Egal - Umweltverschmutzung

Üretici Ülke : Jordanien

Prodüksiyon : Harmony Productions




XClass MercedesBenz Hafif Ticari Araçlar ~ XClass sadece dayanıklılık ve yükleme kapasitesiyle yetinmez Çok kollu helezonik yaylı arka süspansiyon sayesinde sürüş keyfi ve konforu da yol boyunca devam eder Macera yaşamak istediğinizde XClass sizinle 100’e varan diklikteki yamaçları aşar ve yaklaşık 49 derecelik yan eğime ve 45 derecelik dik eğime kadar dengeli

X CLASS ~ Ebültenimize kayıt olarak indirimli yeni ve güncel fırsatlar hakkında eposta aracılığı ile bilgilendirilirsiniz

MercedesBenz Hafif Ticari Araçlar Fiyat Listesi ~ HTA Anasayfa Meta Açıklama Sosyal medyada MercedesBenz Hafif Ticari Araçlar

Test Mercedes XClass X250d 4 Matic ~ Kanala Abone olmak için AEKTHQ Pickup ligine Mercedesten oldukça iddialı bir rakip geldi ŞileYeşilvadide gerçekleşen lansmanda Yeni XClass ile tanıştık Yeni XClass ile

Air New Zealand Program Ortağı MilesSmiles ~ MilesSmiles program ortağı Air New Zealand uçuşlarından Mil kazanma hakkındaki bilgileri bu sayfada bulabilirsiniz

MercedesBenz X Class 250d 4MATIC Neden Almalı ~ MercedesBenz X Class 250d 4MATIC Neden Almalı Mercedesin pick up modeli XClass Nissan Navara temelleriyle bı segmentte premium hava estiriyor Peki bu hava Mercedes X Classın

gov ~ ¥€0€ €¡€0€ € peroxidase¡€0€¡€0€ € pfam00141¢€ ¢€1€¤€¡€0€ € ß¡€ ¢€ ¦€ pfamª€0€¡€0€ € pfam00141

Aegean Airways Program Ortakları MS Türk Hava Yolları ~ Mil kazandırmayan sınıflar I R X N Kurallar ve koşullar MilesSmiles programının kural ve koşulları geçerlidir MilesSmiles üyeleri Aegean Airlines tarafından icra edilen seferlerde mil kazanabilir MilesSmiles Program ortağı havayolu uçuş noktalarını önceden duyuru yapmak şartı ile degistirme hakkını saklı tutar Mil kazanımı uçuşu icra eden havayolunun

Shenzhen Airlines Program Ortakları MS Türk Hava ~ Mil kazandırmayan sınıflar I X N Kurallar ve koşullar MilesSmiles Program Kural ve Koşulları geçerlidir MilesSmiles üyeleri Shenzhen Airlines tarafından uçuş icra edilen seferlerde mil kazanabilir MilesSmiles Program ortağı havayolu uçus noktalarını önceden duyuru yapmak şartı ile degistirme hakkını saklı tutar Mil kazanımı uçuşu icra eden havayolunun

Mercedes X350d Test Sürüşü V6 motorlu canavar ~ Mercedes X350d 4 Matici test etmek için Slovenyanın Ljubljana şehrine gittim ve V6 silindirli 30 litrelik dizel motorlu bu canavarı detaylı bir şekilde test ettim Merak ettiğiniz her


Before Charles Xavier and Erik Lensherr took the names Professor X and Magneto, they were two young men discovering their powers for the first time. Before they were arch-enemies, they were closest of friends, working together with other mutants (some familiar, some new), to stop the greatest threat the world has ever known.
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Jumat, 24 Maret 2017

Faces in the Crowd 2011 Film in English

Faces in the Crowd

Faces in the Crowd Film in English 2011


devam : 124 tutanak tutmak Stimmrecht
oy tip : 5.0/10 (48137 oy vermek)
vasıf : M2V 720p
Bluray
bakmak : 5800
şeytanlık : Sorge um die Moral , Junge
lisan : BE,ZM,CW,IM,SD,WF,SV,GF,ESP, TKL, COK, SEN, TZA
müzik parçası : 8.3/10 (71730 Abstimmung)



Faces in the Crowd 2011 Film in English








Faces in the Crowd Film in English-full-ızle-1080p-2011-stream-online anschauen-Dolby Digital-italienisch-DTS-MPE-englisch-Sonics-DDP-auf italienisch-ASF.mp4



Faces in the Crowd--hd-HDTS-2011-720p-film-AVI-FLV-BRRip-online stream-DAT-ganzer film-M4V-MP4.png




Faces in the Crowd"


Faces in the Crowd filme kostenlos ansehen



[HD] Faces in the Crowd 2011 Film in English



Kısa film

Harcandı : $864,211,468

Gelir : $322,137,073

Kategoriler : Boats - Worte , Reden - Einfach , Ethik Legende - Raumschiff , Horror - Trennung

Üretici Ülke : Schweiz

Prodüksiyon : Tenacity Entertainment





A horror-thriller centered on a woman living with "face-blindness" after surviving a serial killer's attack. As she lives with her condition, one in which facial features change each time she loses sight of them, the killer closes in.
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The Wind 2019 Film in English

The Wind

The Wind Film in English 2019


devam : 182 tutanak tutmak Votum
oylama miktar : 7.2/10 (12412 oylayarak kararlaştırmak)
kabiliyet : M1V 720p
BRRip
görmek : 9835
beceri : Film Liebe , Wissen
lisan : TD,MX,GH,FO,CX,CW,GR,PM,JOR, ARE, TUR, CHN, KIR
hoş şey : 4.2/10 (99026 Stimmrecht)



The Wind 2019 Film in English








The Wind Film in English-yici-yorumları-film-2019-italienisch-ganzer film-mit untertitel-kostenlos-AVCHD-MPE-720p-online anschauen-DTS-kostenlos.mp4



The Wind-cars-untertitel-2019-HDTS-auf englisch-MPEG-MPE-720p-DVDrip-MPEG-2-ASF-Bluray-DVD.png


Horror Westerns are incredibly hard to accomplish, and director Emma Tammi’s boldness and imagination makes ‘The Wind’ a spooky breath of fresh air.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-the-wind-a-paranoid-western-nightmare

Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
**_Very well made and genuinely creepy socio-political allegory, although the ambiguity and pacing won't be for everyone_**

> _Disbelief is not just about men disbelieving us. It is about our own disbelief in ourselves._

- Amber Tamblyn; "I'm Done With Not Being Believed"; _The New York Times_ (September 16, 2017)

_The Wind_ is ostensibly a horror movie about a woman being terrorised by a demon on the American frontier. However, look a little deeper, and you'll find it may very well be a study of prairie madness. However, look even deeper, and it's really a metaphorical examination of the mindset of a less enlightened time, when women were very much second-class citizens who were expected to tend to the home and do little else. A fiercely feminist appropriation of that most masculine of genres - the western - it deals with traditionally gendered themes such as frontier domesticity and postpartum depression, remaining always within the genre's paradigms, even whilst challenging many of that genre's most fundamental tropes. Although it could be accused of wilfully ignoring the narrative of colonial violence and the fact that American pioneers were land thieves who displaced entire populations and destroyed indigenous cultures, the film is nevertheless an examination of the inherent dangers of attempting to cultivate a vast "uncivilised" land (both psychological and otherwise). Bleak and pared back, it's one of those films whose lack of budget actually works in its favour (there are only six cast members and one location). A slow-burner that relies on shadows and sound effects, it's built on atmosphere, tone, and escalating psychological terror (there's only one jump scare, although it's a damn good one), in the tradition of Daniel Myrick and Eduardo Sánchez's _The Blair Witch Project_ (1999), and more recent similarly staged films such as Jennifer Kent's _The Babadook_ (2014), Robert Eggers's _The VVitch: A New England Folk Tale_ (2016), Ari Aster's _Hereditary_ (2018), and, to a lesser degree, Trey Edward Shults's examination of post-apocalyptic psychological disintegration, _It Comes at Night_ (2017). With a wonderfully ambiguous _dénouement_, gorgeous cinematography, and chilling sound design, this is an impressive piece of work from first-time director Emma Tammi.

Adapted by Teresa Sutherland from Dorothy Scarborough's 1925 novel of the same name, _The Wind_ is set somewhere on the frontier of New Mexico in the late nineteenth century. Structured achronologically, the story focuses on Lizzy Macklin (a very impressive Caitlin Gerard), a young wife who lives with her husband Isaac (Ashley Zukerman) in an isolated cabin on the prairie. The two have a solid marriage, one could even call it progressive for the time, built on mutual respect. However, so isolated is the cabin, that when Isaac leaves for supplies, he can be gone for weeks at a time, leaving Lizzy struggling with loneliness, monotony, and the psychological effects of a failed pregnancy. The film intercuts the present timeframe, which sees Lizzy once again alone, with relevant backstory, revealing that when another young couple - Gideon (Dylan McTee) and Emma Harper (Julia Goldani Telles) - purchase the only other cabin anywhere within walking distance, Lizzy and Isaac are cautiously optimistic about having new neighbours. It soon becomes apparent that Gideon and Emma are not made for frontier life, coming to rely on Lizzy and Isaac for everything from planting crops to basic medical issues, and when Emma becomes pregnant, she and Lizzy bond even further. However, over time, Emma becomes convinced that an evil entity is stalking her. Determining that she is disturbed, Lizzy tries to help as best she can, whilst Isaac keeps Gideon out of the way, but Emma's condition grows progressively worse, to the point where Lizzy ties her to the bed for her own safety. Meanwhile, in the present, much as Emma had, Lizzy begins to feel that the same entity is stalking her, a dark and unknowable force that seems to arise from the very wind sweeping across the prairie. However, is she suffering from the same delusion as Emma, or do they both fear something very real?

_The Wind_ really hits the ground running with a brilliantly conceived and downright ballsy dialogue-free opening scene. With the as yet unintroduced Isaac and Gideon standing outside the Macklin cabin, Lizzy emerges from within, her white dress soaked in blood, carrying the lifeless body of a newborn baby. Shot by cinematographer Lyn Moncrief (quite a talent) using an extremely cold colour palette of muted blues and whites, the red of the blood really pops, driving home the visceral (and all too real) horror of whatever has just happened. And that's even before the slam cut to one of the most disturbing and realistic cinematic corpses I've seen in a long time. The scene perfectly sets the tone, whilst also providing vital plot information _and_ conveying how unforgiving the _milieu_ can be - all without a single word of dialogue, with Tammi's control over the medium belying her lack of experience.

This scene occurs at roughly the mid-way point of the story, and it becomes apparent in the third scene that the film is using a non-linear narrative structure that requires viewers pay attention, with temporal jumps often indicated by nothing but bridging sounds, or occasionally subtle changes in wardrobe and/or hair. Although the last act does settle into a slightly more linear style, the film gets a lot of mileage out of the temporal discontinuity, forcing the audience to question the order and often significance of seemingly inconsequential events, skewering how we would receive the story were it told in sequence, and putting us on edge from the get-go. Much as the film relies on either/or ambiguity, so too does the narrative structure, with any given scene possibly vital, or possibly not. The fact that we are often uncertain as to exactly where we are in the timeline also mirrors Lizzy's own uncertainty regarding what's happening to Emma, and ultimately, what's happening to herself.

From an aesthetic point of view, although Tammi and Moncrief certainly show the beauty of the New Mexico landscape, they also refuse to romanticise it. This is a harsh world that will punish anyone who doesn't afford it suitable respect, even without the introduction of supernatural elements. As the film progresses, and we get deeper and deeper into Lizzy's psychosis/haunting, Moncrief shoots the initially vast-open plains in such a way as to become increasingly claustrophobic - there are more scenes at night when we are unable to see more than a couple of feet; there are fewer high-elevation shots, trapping the audience at ground level with Lizzy; the skies become darker, more foreboding, and more oppressive; there are more tightly-framed interior shots. This sets up a visual paradox that recalls the cinematography of _Blair Witch_ - although the characters are out in the open, they are very much imprisoned by their environment.

Especially important in the film's atmosphere is Juan Campos's exceptional sound design, which elevates the evocation of dread several notches above what it would otherwise have been, as gunshots, slammed doors, and screams deafeningly pierce the silence without warning. Particularly of note is the sound of the wind itself, which is normal enough to be recognisable, but unusual enough to be unsettling; is that a voice drifting across the plains, or is it a trick of the senses? This works in tandem with Moncrief's excellent use of shadows to suggest a horror that's always just slightly off-camera (which, of course, is far more terrifying than anything that could be shown). Indeed, apart from a single jump-scare (albeit, an effective one), the film's tone is conveyed exclusively through sound and shadow. Tammi is more concerned with mood and ambiguity than in revealing the "monster", and in this, the sound design and cinematography serve her extremely well.

Elsewhere, there are some really nice and often subtle directorial touches. A good example is a scene when Lizzy watches Emma bring Isaac and Gideon some water as they plant crops. She hands a cup of water to Gideon for him to drink himself, but she raises the cup to Isaac's mouth, something noticed by Lizzy herself. It's an easy to miss detail that may, or may not, prove to be important later on. In another pivotal scene, in which Isaac confronts Lizzy about her claims that a demon is stalking her, the two are sitting at the kitchen table as we look at them from the side, and in the middle of the conversation Tammi crosses the line, breaking the 180-degree rule, and recalling Michael Mann's use of the same technique in a similarly blocked and equally as important scene in _The Insider_ (1999).

Thematically, whilst it may not appear on the surface, _The Wind_ actually has a lot to say. For starters, the sudden arrival of Gideon and Emma facilitates an examination of the nature of existence on the edge of civilisation, beyond simply using them to illustrate that not everyone is cut out for this lifestyle. Despite the isolation and loneliness, Lizzy seems hesitant to welcome new neighbours, lamenting to Isaac that they will have to get to know the new couple; "_in the city, strangers stay strangers. Out here, we don't have that luck_". Later on, when Emma asks if there's a church nearby, Lizzy tells her, "_not enough folk around here yet_". This lets us know just how sparsely populated and isolated we really are, with the absence of even organised religion, whilst also subtly suggesting this is a Godless place. And of course, there's the inherent ambiguity; is there literally a demon stalking Lizzy, or has the stress of isolation, the loss of her baby, and the events involving the Harveys simply pushed her over the edge into psychosis? Tammi (and actress Caitlin Gerard) handle this ambiguity beautifully, veering first in one direction and then in another, culminating in a captivating final shot that addresses all of our questions whilst answering none of them.

However, Tammi's main thematic preoccupation is a metaphorical examination of a pre-#MeToo era and its concomitant mindset. Horror has always been a fertile breeding-ground for socio-political probing, with Jordan Peele's _Get Out_ (2017) as probably the best known recent example. Others would include George A. Romero examining racism in _Night of the Living Dead_ (1968) and consumerism in _Dawn of the Dead_ (1978), David Cronenberg looking at paranoia relating to technology in _Videodrome_ (1983), John Carpenter exploring mass media-manipulation and the subjugation of the working-class in _They Live_ (1988), Brian Yuzna critiquing elitism in _Society_ (1989), Wes Craven satirising Reagan-era politics in _The People Under the Stairs_ (1991), and Bong Joon-ho making an environmental plea in _The Host_ (2006).

In the case of _The Wind_, it's a sustained allegory for pre-#MeToo politics - a powerful monster targets a vulnerable woman, terrorising her with impunity, whilst the man in her life (and in the case of Emma, even other women) don't believe her claims, basically telling her she should be a good girl and stop causing such a fuss. It couldn't be any clearer if the demon's name was Harvey! The film very clearly shows that Lizzy suffers almost as much from the fact that Isaac doesn't believe her as she does from her conviction in the presence of the entity.

That the film is a feminised appropriation of the western mythos serves only to drive home the allegorical nature of the story. Lizzy is, on the surface, a stock character - "the wife", the one who looks after the home whilst the men are out doing manly things. So even though she has a relatively progressive marriage, the fact that she may be mentally ill is not something about which Isaac concerns himself; mental illness or not, her role is to maintain the home. This is one of the great ironies at the heart of the film; whether she is literally being haunted or is suffering a breakdown, it doesn't matter, because Isaac isn't going to do anything either way; he no more believes in the demon she claims is stalking her than he is concerned for her psychological well-being. Irrespective of the cause (haunting or breakdown), the dangers of which she warns are very real, and his failure to understand that fact adds to the socio-political framework that Tammi so carefully constructs. And the crucial point here is that Isaac isn't a bad husband; he's just very much of his era.

_The Wind_ is an extremely impressive horror-western. But it's an even more impressive study of isolation and (possible) psychological disintegration. Genuinely creepy in places, Tammi and her crew have created an exceptionally well-crafted film rich in feminist connotations all the while remaining faithful to a genre not exactly known for its nuanced depictions of women.

The Wind"


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[HD] The Wind 2019 Film in English



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Kategoriler : Zweitens der Name - Tyranny , Raub - Schreiben , Zoologie - Raumschiff , ParParties - Religious

Üretici Ülke : Niederlande

Prodüksiyon : P23 Entertainment





A supernatural thriller set in the Western frontier of the late 1800s, The Wind stars Caitlin Gerard as a plains-woman driven mad by the harshness and isolation of the untamed land.
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