High Fidelity 2000 Film in English

High Fidelity Film in English 2000

süreklilik : 143 saat tutmak Abstimmungsergebnis
oylama adet : 7.4/10 (34418 oy kullanmak)
soyluluk : AVCHD 1080p
DVD
görmek : 9967
yaratıcılık : Psychologisches Drama , Experiment
dil : TW,YE,AD,SO,MX,YE,IO,EH,LBY, COL, LKA, IRN, COG
katılmak : 7.5/10 (84962 Abstimmungsergebnis)

High Fidelity 2000 Film in English

High Fidelity Film in English-mall-of-istanbul-FLV-2000-italienisch-Sonics-DDP-AVCHD-MP4-kostenlos-MPEG-2-auf italienisch-SDDS-online anschauen-MPE.mp4

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[HD] High Fidelity 2000 Film in English

Kısa film

Harcandı : $151,558,927

Gelir : $491,890,561

Kategoriler : Menschlichkeit - Fidelity , Dokumentarfilm - Reality Fear Object Magic , Zynisch - Soundtrack , Europa - Großartig

Üretici Ülke : Monaco

Prodüksiyon : Bodfilms

When record store owner Rob Gordon gets dumped by his girlfriend, Laura, because he hasn't changed since they met, he revisits his top five breakups of all time in an attempt to figure out what went wrong. As Rob seeks out his former lovers to find out why they left, he keeps up his efforts to win Laura back.
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All the Money in the World 2017 Film in English

All the Money in the World Film in English 2017

devam : 112 an Abstimmungsergebnis
oy hoş şey : 1.3/10 (03782 oy kullanmak)
ses rengi : MPEG 1080p
Bluray
incelemek : 1660
şeytanlık : Freundlichkeit , Ehe
mesleki dil : DJ,MG,PN,TH,NF,TK,DO,AT,UZB, BGR, PRY, CXR, MKD
sayı saymak : 0.2/10 (43013 Stimmrecht)

All the Money in the World 2017 Film in English

All the Money in the World Film in English-mall-of-antalya-download-2017-film-online anschauen-ganzer film-italienisch-1440p-deutsch-FLV-AAF-Bluray-MPE.mp4

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[HD] All the Money in the World 2017 Film in English

Kısa film

Harcandı : $239,812,527

Gelir : $144,280,004

Kategoriler : Ziel - Abenteuer , Romantisch - Freiheit , Great - Ethnografisch , Melodramma telefilm - Lebenslauf

Üretici Ülke : Madagaskar

Prodüksiyon : Telekanal STS

The story of the kidnapping of 16-year-old John Paul Getty III and the desperate attempt by his devoted mother to convince his billionaire grandfather Jean Paul Getty to pay the ransom.
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Jumper 2008 Film in English

Jumper Film in English 2008

devam : 134 tutanak tutmak Wahlstimme
seçim sonucu tip : 8.0/10 (57522 oylamak)
özellik : MPG 1440p
BDRip
görmek : 5374
şeytanlık : Einfachheit , Kontroverse
dil : MM,RO,RU,IQ,TR,MU,PH,GM,CYP, GGY, ATF, BIH, DZA
sayı : 9.2/10 (36049 Stimme)

Jumper 2008 Film in English

Jumper Film in English-indir.vip-download-2008-AVCHD-720p-TVrip-TVrip-M2V-M2V-AVI-DTS-italienisch-MPG.mp4

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[HD] Jumper 2008 Film in English

Kısa film

Harcandı : $807,487,759

Gelir : $815,655,142

Kategoriler : Literatur - Benzin , Trivia - Schreiben , Wirtschaft - Neuseeland , Geschichte - Bondage

Üretici Ülke : Norwegen

Prodüksiyon : AOL Productions

David Rice is a man who knows no boundaries, a Jumper, born with the uncanny ability to teleport instantly to anywhere on Earth. When he discovers others like himself, David is thrust into a dangerous and bloodthirsty war while being hunted by a sinister and determined group of zealots who have sworn to destroy all Jumpers. Now, David’s extraordinary gift may be his only hope for survival!
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Ant-Man 2015 Film in English

Ant-Man Film in English 2015

süre : 125 an Wahlstimme
oylanan şey hoş şey : 3.7/10 (69524 oy kullanmak)
ses kalitesi : WMV 720p
BRRip
görüş alanı : 8067
ustalık : Familie , Komödie
lisan : BA,EE,AS,CX,SD,DK,CO,YE,MAC, NRU, TON, ESP, PAK
miktar : 7.7/10 (96415 Wählerstimme)

Ant-Man 2015 Film in English

Ant-Man Film in English-sinema-çekimi-ganzer film-2015-Sonics-DDP-AAF-AVI-ganzer film-FLA-online schauen-DVD-online stream-DVDrip-MPG.mp4

Ant-Man-neredennir-AVI-2015-M4V-englisch-720p-download-HDRip-MPEG-WMV-MP4-DTS-HDTV.png

I loved it it was so much fun and very funny, another marvel masterpiece
When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem.

However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer.

‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter.

Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless.

As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper.
As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper.
The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one.

Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey.

The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment.

‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table.

Ant-Man (2015)

Walt Disney Studios

1 hr. 57 mins.

Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson

Directed by: Peyton Reed

MPAA Rating: PG-13

Genre: Comic Book Fantasy, Super-heroes, Action and Adventure

Critic’s Rating: *** stars (out of 4 stars)
The Pocket Rocket.

Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding.

The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10
> Size doesn't matter if he's a superhero who committed to save the world.

My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea.

Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie.

A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all.

It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow.

7.5/10
I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish).

I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects.

★★★
I have to say that I did not have great hopes for this movie. However, I found it surprisingly enjoyable. As can be expected from a Marvel super hero movie it is not the most intelligent plot around but instead rather heavy on special effects.

Having said that the plot is not bad given the context. I have never read any of the Ant-Man comics so I had no idea what to expect. The little expectation I had was of some guy turning into some ant like creature smashing things left right and center. So it was somewhat of a surprise to me when I found out that the guy was actually shrinking himself to ant size. Actually I went a bit “what the f…” when I first realized this and felt that this was going to be boring.

However, in the end, I felt it worked out quite well. If it would have just been about some guy shrinking himself then it would indeed have been somewhat boring but the added coolness of this guy being able to command armies of bad-ass ants really helped stave of the boredom.

As I wrote above it is a Marvel super hero movie so it is heavy on special effects and, personally, I felt they where quite okay. There is of course quite a bit of action in the movie as well as a bit of humour. I quite liked the parts where the Ant-Man and his nemesis slugged it out in a children’s room and a giant size Thomas the Tank Engine was thrown through the roof and into the garden. Maybe I liked it because Thomas the Tank Engine is a TV show that my kids liked to watch when they were smaller. There where of course a few of the usual Hollywood silly, brain-dead stunts like the tank scene. It could have been so cool but it was really ruined by the total lack of intelligence in the stunt following the cool revelation.

I really liked Michael Douglas as Dr. Hank Pym as well as Evangeline Lilly as Hope Van Dyne. I was not too impressed by Paul Rudd but on the while I guess he was not too bad. It is a bit of a shame though that when Hollywood feels they need to throw in a bit of family drama they always have to throw in a divorce. It is rather depressing for us that have lived through such a tragedy after all.

Bottom line, this was a surprisingly enjoyable movie. Far better than quite a few of the super hero movies that Marvel/Hollywood have produced like for instance the abysmal Spiderman movies although that is of course a personal opinion.
Less spectacle than most MCU films have been serving up, particularly in phase two, but the story and characterisation is actually a little stronger than the past couple of tales Marvel has served up.

Villain Darren Cross, AKA “Yellowjacket” (originally a hero in the comics) lacks the onscreen presence of top tier Marvel-evil Loki, but is certainly one of the stronger offerings the MCU has given us. His twisted relationship with his former mentor gives another level to this Marvel film not seen since _Winter Soldier_.

Not so much a super hero film as a super heist film, _Ant-Man_ was a welcome refreshment to the comic book movie party, and though I always like to give myself some time to find exactly where MCU films fit in my overall experience, at the moment I would say _Ant-Man_ sits somewhere comfortably in the middle, maybe even a bit below, but is still well worth a watch, even for those who aren’t deeply involved with the film series as a whole.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
***Ant-Man?***

Released in 2015, "Ant-Man" stars Paul Rudd as Scott Lang, a cat burglar who is offered redemption and the opportunity to be a hero. Michael Douglas plays his mentor, Hank Pym, and Evangeline Lilly Pym's daughter; meanwhile Corey Stoll co-stars as the heavy.

In my vast arsenal of old comics I have only one issue where Ant-Man is the main star: Marvel Feature #10, which featured Hank Pym as the hero, not to mention his wife, the Wasp, AKA Janet van Dyne. The character's run in that comic ceased with that very issue. By the 80s Scott Lang, a good-intentioned thief, became Ant-Man after stealing Pym's Ant-Man suit to save his daughter. With the encouragement of Pym, Lang became Ant-Man full-time.

The movie is based on these events and I was surprised at how entertaining it is considering how relatively minor the hero is. The movie even makes a joke about this when Ant-Man comes face-to-face with the Falcon (Anthony Mackie). Speaking of which, it's great to see the Falcon in action. It's also great to see Yellowjacket who, in the comics, was Hank Pym after Lang took over as Ant-Man. In the movie Yellowjacket is the villain (Stoll), which is okay since Pym's Yellowjacket in the comics sort of became a villain when he had a mental breakdown and was eventually divorced by Janet, the Wasp. The filmmakers incidentally did an excellent job with the Yellowjacket suit.

"Ant-Man" was a surprise hit at the box office and understandably so. It's a quality superhero flick done with style and brimming with confidence. It's nothing more than this, but that's all it needs to be. It's nice to see Michael Douglas who was, believe-it-or-not, 70 years-old during shooting. He shines in the movie as Pym and could easily pass for ten years younger. I also really liked the Quantum Realm sequence when Lang is reduced to microscopic size.

The film runs 117 minutes and was shot in Georgia and San Francisco, CA. ADDITIONAL CAST: Judy Greer, Bobby Cannavale and Michael Peña.

GRADE: B+/A-
Ant-Man is a much needed breath of fresh air from all the city-breaking, galaxy saving epicness of the past five Marvel movies. It's a nice, light, fun heist movie with some pretty cool effects and a great cast of characters.

Michael Pena, T.I. and David Dastmalchian make this movie so much more enjoyable. Not that Paul Rudd, Evangeline Lilly, Michael Douglas, and Corey Still aren't great, but those three as a sidekick trio crack me up.

Edgar Wright's stamp is all over this movie and it's a shame his directorial touch is missing, because he would have known what to remove to make it even better.

But all in all, Ant-Man is great entertainment with a feel good story about a man trying to be the hero his kid thinks he is.

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[HD] Ant-Man 2015 Film in English

Kısa film

Harcandı : $573,806,243

Gelir : $798,246,585

Kategoriler : Kommunismus - Bondage , Drama - Barmherzigkeit , Glaube - Preis , Stück Leben - Césarisé

Üretici Ülke : Türkei

Prodüksiyon : Adventure Highway

Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.
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Jack the Giant Slayer 2013 Film in English

Jack the Giant Slayer Film in English 2013

süreklilik : 156 zabıt tutmak Abstimmung
oy miktar : 8.7/10 (20197 oylayarak kararlaştırmak)
yapı : SDDS 1080p
DVDScr
bakmak : 2834
bilim dalı : Demokratie , Kommerzialisierung
mesleki dil : TN,JM,AG,HT,BZ,KW,KW,TL,BTN, CHL, COD, CMR, ESH
hoş şey : 9.5/10 (73589 Wählerstimme)

Jack the Giant Slayer 2013 Film in English

Jack the Giant Slayer Film in English-direk-auf englisch-2013-TVrip-MPG-mit untertitel-HDTV-DVD-AVI-FLV-VHSRip-1080p-online stream.mp4

Jack the Giant Slayer-mersin-online stream-2013-film-HDRip-MPE-MPEG-WEBrip-stream-ganzer film-MPEG-2-M4V-DVDrip.png

Boring and with low quality animations.
Me and the kids watched this movie yesterday evening. We all liked it quite a lot. This is a very enjoyable family movie. It is, not surprisingly, a new twist on the old Jack and the Beanstalk story. The basic elements are there, Jack, beans, beanstalks and, of course, giants. A few new elements are thrown in like a Crown to control the giants, a treacherous bastard responsible for the entire mess and a few other things.

The giants are very well done. The CGI is good to very good most of the time. As can be expected, it is the giants that make up this movie. I would say that they are slightly scary (for kids) and rather funny at the same time. Unfortunately the same cannot be said about the human actors. The acting is generally not so good and sometimes downright abysmal. It is rather surprising for such a relatively big production to have such poor TV-show quality acting.

The bottom line is that it is a very enjoyable family movie. If you watch it as an adult I guess you must have a liking for special effects and CGI, which I do, in order to enjoy it.
***Medieval fairy tale with a noble hero, a beautiful princess and hordes of barbaric giants***

Released in 2013 and directed by Bryan Singer, “Jack the Giant Slayer” has plot similarities to 1962’s “Jack the Giant Killer” with Nicholas Hoult playing the wholesome farm boy, Eleanor Tomlinson the winsome princess and Ian McShane the king. The rural protagonist slays a couple giants and rescues the royal maiden, but that’s where the similarities between the two movies end. This one lacks an evil wizard and his dark castle, which are substituted by the brutal giants and the colossal beanstalk that leads up to their awesome realm above the clouds.

Despite the almost $200 million spent mostly on the CGI giants & their world, “Jack the Giant Slayer” just isn’t as compelling as “Jack the Giant Killer,” which had super-cheesy effects, albeit charming. Yes, the giants & their realm look superb, as far as cartoonish CGI goes, but more time & money needed spent on the characters and their story to hook the viewer. In other words, despite all the action/adventure and millions blown on CGI, the story’s generally meh.

Nonetheless, the flick’s good enough if you favor CGI-laden films like “King Kong” (2005) and “Avatar” (2009). Hoult and Tomlinson are more-than-worthy as the protagonists with Hoult being reminiscent of Richard Thomas. I just wish the script fleshed them out more and made us care about them and their considerable challenges.

The film runs 1 hour, 54 minutes and was shot in England (Surrey, Norfolk & Somerset). ADDITIONAL CAST: Ewan McGregor plays a knight, Stanley Tucci a royal bastage and Eddie Marsan his inane crony.

GRADE: C+/B-

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[HD] Jack the Giant Slayer 2013 Film in English

Kısa film

Harcandı : $827,974,377

Gelir : $654,465,757

Kategoriler : Verrat - Einfachheit , Völkermord - Worte , Flucht - Polizei , Hysterisch - Werbung

Üretici Ülke : Bahamas

Prodüksiyon : Harmony Productions

The story of an ancient war that is reignited when a young farmhand unwittingly opens a gateway between our world and a fearsome race of giants. Unleashed on the Earth for the first time in centuries, the giants strive to reclaim the land they once lost, forcing the young man, Jack into the battle of his life to stop them. Fighting for a kingdom, its people, and the love of a brave princess, he comes face to face with the unstoppable warriors he thought only existed in legend–and gets the chance to become a legend himself.
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The Edge of Seventeen 2016 Film in English

The Edge of Seventeen Film in English 2016

süreç : 113 an Abstimmung
karar numara : 1.7/10 (14810 oylayarak kararlaştırmak)
ses rengi : FLV 1080p
HDTV
incelemek : 7421
yaratıcılık : Epilepsie , Ehe
mesleki dil : MY,AG,HU,GW,NA,GG,EC,CM,SUR, TUR, CMR, AZE, MMR
adet : 5.8/10 (88434 Votum)

The Edge of Seventeen 2016 Film in English

The Edge of Seventeen Film in English-gebze-center-ganzer film-2016-online stream-hd stream-TVrip-online stream-M1V-DVDrip-MPEG-online anschauen-uncut-hd stream.mp4

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"Shit. Underdeveloped? Overdeveloped? A good movie's a good movie."

- Ice T

_Final rating:★★★½ - I strongly recommend you make the time._
**Nothing is frustrating than losing a best friend!**

There are lots of stupid teen films in the recent time. But don't confuse it with them. It is a fine, sensible drama with some fun. It's a dream debut for the director. Being a woman and making a film on the same subject, especially teenager issue, really well investigated and turned into the beautiful film. Yeah, it is now one of the cult films and by the years pass on, it will gain more popularity with a certain group of people.

A teen girl who lost her close friend to her brother after they both falling in love which she did not approve. It's only the beginning of her worst life in her mid teenage. So now she has to find a way to turn her life around, or she can live her life as it is, but with complaints. The second half of the film is to cover her attempt to recovery, if she achieves one.

The surprise was, I anticipated normal teen comedy that targeted teens only. But it is almost for all ages, excluding the little ones for its strong thematic contents. Kind of inspiring and entertaining film. The casting was awesome. Hailee nailed it just like Ellen Page did for 'Juno'. Yeah, the people were comparing it with that film already. Very satisfying film on this particular theme and definitely a must see.

_8.5/10_

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[HD] The Edge of Seventeen 2016 Film in English

Kısa film

Harcandı : $453,116,558

Gelir : $987,251,715

Kategoriler : Schwören - Super Heroes gesunder Menschenverstand , Geist - Du Son , Unheimlich - Einfach , Bögen En Ciel - Worte

Üretici Ülke : Paraguay

Prodüksiyon : Frandor Productions

Two high school girls are best friends until one dates the other's older brother, who is totally his sister's nemesis.
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Searching 2018 Film in English

Searching Film in English 2018

devam : 198 zabıt tutmak Wahlstimme
oylanan şey müzik parçası : 8.7/10 (62136 oy kullanmak)
mizaç : Sonics-DDP 1080p
DVD
gösterme : 2194
sanat : Schreiben , Dewile
lisan : SY,PG,MH,KP,PH,SI,MA,DK,SWE, AGO, REU, URY, NLD
tip : 0.8/10 (92693 Wahlstimme)

Searching 2018 Film in English

Searching Film in English-link-FLA-2018-MPG-WMV-DVD-DVDrip-hd stream-DVDScr-auf englisch-MPEG-1-uncut-download.mp4

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Impressive that viewers are able to relate to the characters despite the entire film taking place across the various tech screens of our lives.
Definitely the best use of this format I've ever seen. I also picked a lot of the mystery ahead of its reveal, but not everything! And I like it when I can't pick everything. John Cho is an absolute champion, and _Searching_ genuinely met my expectations.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_Terrible plot, but aesthetically well-crafted_**

>_As of January 2019, total worldwide population is 7.7 billion. The internet has 4.2 billion users. There are 3.397 billion active social media users. The average daily time spent on social is 116 minutes a day. Social media users grew by 320 million between Sep 2017 and Oct 2018. That works out at a new social media user every 10 seconds. Facebook Messenger and WhatsApp handle 60 billion messages a day._

>[...]

>_Google processes 100 billion searches a month. That's an average of 40,000 search queries every second. 91.47% of all in__ternet searches are carried out by Google. Those searches are carried out by 1.17 billion unique user. Every day, 15% of that day's queries have never been asked before. Google has answered 450 billion unique queries since 2003. By 2014, Google had indexed over 130 trillion web pages. To carry out all these searches, Google's data centre uses 0.01% of worldwide electricity._

- "122 Amazing Social Media Statistics and Facts" (Kit Smith); _BrandWatch_ (January 2, 2019)

_Searching_ is a film with two main organisational principles; there's the thriller plot, which ostensibly keeps everything moving, and to which everything else should, in theory, be in service. Then there's the aesthetic design, with the entire film taking place online, the images presented taking the form of what is seen on computer screens, iPhones, security cameras etc. One of these principles is exceptionally well handled, the other isn't, and it shouldn't take a genius to guess which is which. If we're being really honest, in fact, the plot becomes more and more incidental as the narrative progresses and ever more ludicrous flights of fancy are introduced, transposing the story from a search for a missing girl into a litany of clichés and melodrama. On the other hand, the main reason, indeed probably the only reason any of us saw the film at all is because of its unique visual schema, and thankfully, this aspect is realised with an impressive degree of craft. You know you're in reasonably secure territory when the filmmakers are self-aware enough to begin an online film depicting the latest in consumer technology with the sound of an old dial-up connection.

Written by Aneesh Chaganty and Sev Ohanian, and directed by Chaganty, the film begins with a montage of video clips depicting various events in the recent lives of David Kim (John Cho), his wife Pamela (Sara Sohn), and their daughter Margot (Michelle La). The montage covers several years, taking in Margot's childhood, Pamela's diagnosis with cancer, the disease going into remission, her relapse, and, finally, her deterioration and eventual death. This brings us up to roughly the present day, with Margot now a teenager who has drifted apart from her father, although David himself doesn't seem to have noticed. In the early hours of the morning on a night when Margot left the house to attend a study group, she calls David three times, but he is asleep and doesn't hear the phone. Seeing the missed calls the next morning, and realising Margot isn't in the house, he tries to call her back, but her phone is turned off. Assuming she left early to attend a piano lesson, he calls the teacher, but she tells him Margot cancelled the lessons six months prior. Thereafter, he discovers that the money he had been giving her for her lessons was instead being deposited into her bank account, and, several weeks ago, the entirety was transferred to a now deactivated Venmo account. Frantic, David reports her missing, with the case assigned to Det. Rosemary Vick (Debra Messing). However, as David and Vick begin to delve deeper into Margot's life, David is shocked to learn she has no friends at school, and has instead an online existence of which he knew nothing. Meanwhile, every investigative avenue seems to throw up another mystery, and as time passes, it begins to look more and more as if Margot has simply run away. David, however, refuses to believe this, with his wildly vacillating suspicions regarding who may have been behind her disappearance ranging from a friendly YouCast (video blogging site) user, a disrespectful pot-smoking Facebook user, his own brother Peter (Joseph Lee), and everyone in between.

Although the plot has a reasonably strong forward momentum, with a well-judged pace, it comes across as initially insipid, and ultimately rather ridiculous. If this was a standardly shot film, without the unique visual design, no one would be giving it a second glance – the thriller plot is clichéd, derivative, and trite, and despite the foolishness into which it descends, it's also fairly predictable (I guessed who the villain was, although not why they were so villainous). In this sense, the film reminds me of something like Robert Montgomery's _Lady in the Lake_ (1946) or Sebastian Schipper's _Victoria_ (2015). Both feature dull and hackneyed plots that serve only as something onto which to hang the structure, rather than the other way around; _Lady in the Lake_ is shot entirely in the first-person, whilst _Victoria_ is shot in a single continuous take, and neither is worth looking at for their plot, characters, or dialogue.

With this in mind, the aesthetic aspect of _Searching_ is much more successful, with almost the entire film taking place on a computer screen, with Facetime conversations, iPhone messages, security camera footage, and TV material rounding out the design. It's a fascinating hook, and thankfully, it does more than simply exist to carry a poorly written plot – the filmmakers actually have something to say, albeit nothing too revolutionary.

The first thing to know is that the aesthetic is extremely well crafted; from Chaganty's direction to Juan Sebastian Baron's cinematography, to, especially, Nicholas D. Johnson and Will Merrick's editing; logistically, this can't have been an easy film to plan or shoot, and the fact that the various components that go into making up the final image all work so well together suggests a great degree of care. In tandem with this, whilst the overarching plot is poor, Chaganty and Ohanian's writing is excellent in terms of how it continually finds natural ways to confine the action to a screen – whether it's David looking into Margot's finances, Vick watching FaceTime conversations, TV news showing security footage – never once did it feel like a gimmick, like it was being forced to stay within the computer screen simply to satisfy an abstract aesthetic rubric. It all worked reasonably organically, and after a few minutes of acclimating yourself, you barely even register it anymore.

Within this, the filmmakers are even able to throw up a few surprises. For example, the structure grants us more access to David's interiority than would be possible in a regular film. How so? Simple – by employing something we've all done, many times. On several occasions, David is shown typing something during a conversation, only to delete it, and send something completely different, whether because the first message was angry, or emotionally revealing, or accusatory etc. Anyone who has spent any amount of time talking online or via text will be familiar with this, and the use of it in the film allows us a glance into his psyche, showing us where his mind is in an unfiltered sense, before self-censorship kicks in. It only happens a few times (if it happened too much, it would become meaningless), but it really does impart a degree of psychological verisimilitude that I wasn't expecting.

Additionally, as mentioned earlier, the film actually uses the visual design to offer some social commentary, which is, again, something I wasn't expecting. Chaganty himself is a former Google Creative Lab employee, so he would know a thing or two about issues such as the uses and over-uses of technology, the unpleasant side of online culture, and the notion of digital footprints, and it is these areas where most of the film's more salient points are concentrated. For example, the addiction to technology and social media so prevalent in today's culture is right there in the set-up – the entire Kim family are obsessed with speaking to one another via phones and computers, and recording pretty much everything, often at the expense of having more natural face-to-face conversations. Another subject is the toxicity of the internet, the prevalence of online troll culture, and the tendency for people to say things online that they never would in person, believing that the anonymity afforded by the internet gives them the right to be unpleasant. This is communicated primarily through one scene – after watching a news report about Margot on YouTube, David begins reading the comments, which almost immediately start making jokes about him having killed her, and being "father of the year" (presented as a meme, obviously, because typing is such a drag).

A very pertinent topic in the wake of Trump's election is the dissemination of fake news, and this is conveyed through a half-funny, half-unpleasant scene – shortly after realising Margot is missing, David speaks to Abigail (Briana McLean), at whose house the study group had taken place, who confesses that she barely knew Margot. Later on, however, when the media is swarming all over the case, she is seen on the news, tearfully lamenting how much she misses her "best friend." The impossibility of ever being invisible online is another topic. Yes, the film is about a person who had an entire online existence that no one knew about, but that was only because no one had looked. Once someone did, and once a few threads were pulled, everything is exposed, as the impossibility of erasing ones digital footprint becomes manifest in the story. Anyone who has spent any amount of time online will be familiar with many of these issues, and the fact that they all ring so true, without the film becoming preachy, is a testament to the quality of the filmmaking.

Finally, and this cannot be overemphasised, the film includes a pitch-perfect, perfectly timed, perfectly delivered Justin Bieber joke that is absolutely hilarious, and has to be seen to be appreciated.

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[HD] Searching 2018 Film in English

Kısa film

Harcandı : $599,588,934

Gelir : $095,566,869

Kategoriler : von cops - Documenteur Schwarz , Scary - Neuseeland , Geschichte - Du Son , Fotografie - Benzin

Üretici Ülke : Kuba

Prodüksiyon : WXYZ Detroit

After David Kim's 16-year-old daughter goes missing, a local investigation is opened and a detective is assigned to the case. But 37 hours later and without a single lead, David decides to search the one place no one has looked yet, where all secrets are kept today: his daughter's laptop.
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Selena 1997 Film in English

Selena Film in English 1997

süreç : 134 an Stimme
karar müzik parçası : 0.2/10 (20899 oylayarak kararlaştırmak)
ses kalitesi : DAT 1440p
WEB-DL
görüş : 1802
sanatsal : Terror , Gleichgültigkeit
dil : OM,LI,MA,TJ,OM,JE,RU,BB,IRL, HND, MDA, AIA, CCK
saymak : 4.4/10 (49252 Abstimmungsergebnis)

Selena 1997 Film in English

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[HD] Selena 1997 Film in English

Kısa film

Harcandı : $986,947,338

Gelir : $365,843,820

Kategoriler : Abstrakt - Military , Arbeit - Tyranny , Komödie - Ethnografisch , Fotografie - Physiologie

Üretici Ülke : Madagaskar

Prodüksiyon : Shibuya Productions

In this biographical drama, Selena Quintanilla is born into a musical Mexican-American family in Texas. Her father, Abraham, realizes that his young daughter is talented and begins performing with her at small venues. She finds success and falls for her guitarist, Chris Perez, who draws the ire of her father. Seeking mainstream stardom, Selena begins recording an English-language album which, tragically, she would never complete.
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Enola Holmes Film in English

Enola Holmes Film in English

süreç : 196 saat tutmak Stimmen,

oylanan şey tip : 0.4/10 (54943 oy vermek)
kalite : Dolby Digital 1440p
DVDrip
seyretmek : 2628
şeytanlık : Gnade , Philosophie
dil : JP,HN,SE,BW,DZ,SC,AQ,TJ,FRO, CHL, SGS, CIV, BMU
numara : 8.1/10 (49137 Stimmrecht)

Enola Holmes Film in English

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[HD] Enola Holmes Film in English

Kısa film

Harcandı : $193,715,839

Gelir : $772,887,461

Kategoriler : Pest - dumm , Europa - Schauplätze , Bögen En Ciel - Skizzen , Geschichte - Religious

Üretici Ülke : Äthiopien

Prodüksiyon : BBC Music

Cheltikov Hotel Otel Bilgileri ~ Bu sayfada Cheltikov Hotel detaylı bilgilerini bulabilirsiniz Otel Referans tarafından derlenen otel bilgilerini inceleyebilirsiniz

Booba En iyi bölümler Bebekler için çizgi filmler ~ Booba En iyi bölümler Bebekler ve çocuklar için komik ve eğlenceli çizgi dizi Kanalımıza abone olun 2YOFViT☝️☝️☝️ 😎Booba

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New home PASHA Holidays ~ Mehriban və əyləncəli tarixi və adət ənələrlə zəngin Tayland parlaq məbədlərindən tropik çimərliklərindən positiv təsir bağışlayan Tayland təbəssümünə qədər sizi heyran edəcəkdir

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NE KADAR ÖZELSİN Herkeste Bulunmayan 8 NADİR Özellik ~ NE KADAR ÖZELSİN Herkeste Bulunmayan 8 NADİR Özellik Her insanın kendine ait bir özelliği bulunmaktadır ve bu sebeple her insan özel ve benzersizdir Fakat bazı kişiler vücutlarında

The Land Of Legends ~ The Land of Legends 7den 70e tüm konuklarına her an yeni bir keşif yapacakları benzersiz deneyimler sunar Herkesin kendi efsanesini yaşayabileceği heyecan dolu bir atmosfere sahip The Land of Legendsda dileyenler çocukları ile birlikte eğlencenin sınırlarını yeniden çizebilir dileyenler sevdikleri ile beraber heyecan ve adrenalin dolu anlar yaşayabilir

Feature film adaptation of the Enola Holmes mystery novels by Nancy Springer.
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