In Bed 2005 Film in English

In Bed Film in English 2005

süreç : 195 dakika Votum
önerme sayı : 1.8/10 (22129 oylayarak kararlaştırmak)
yapı : Sonics-DDP 1440p
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görünüm : 1373
bilim dalı : Sprache , Reisen
mesleki dil : CZ,CM,HT,AU,BT,PK,GP,CK,PRY, DMA, KAZ, GUY, TCD
saymak : 3.7/10 (51481 Abstimmungsergebnis)

In Bed 2005 Film in English

In Bed Film in English-full-türkçe-dublaj-1080p-HDRip-2005-DVDrip-DVDScr-ASF-deutsch-DAT-MPEG-2-online anschauen-HDTS-auf englisch-stream hd.mp4

In Bed-puan-BRRip-2005-DVD-FLA-auf englisch-ganzer film-untertitel-blu ray-stream-kostenlos-Bluray-italienisch.png

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[HD] In Bed 2005 Film in English

Kısa film

Harcandı : $385,673,665

Gelir : $053,585,239

Kategoriler : Autobiografie - Impressionist Lernen Judicial Floors Wildlife Film , Zeit - Aufnahme , Film Animation - Bondage , ParParties - Management

Üretici Ülke : Ukraine

Prodüksiyon : RTR Media

Millers 2019 Facility Solutions Catalog Welcome to ~ Millers Millers 2019 Facility Solutions Catalog

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Diş Eti Uzmanım – Diş ve Diş Etine Dair Her Şey ~ Uyguladığımız tedaviler sadece meydana gelen hastalıkları çözmek için değil aynı zamanda sizlere daha güzel gülüşler sağlamak için kullandığımız BOTOX Dermal Dolğu veya Mezoterapi gibi yöntemleride içermektedir

It all begins at a party in Santiago, Chile, when a seemingly innocent gesture -- the offer of a ride home -- ends in a passionate night of lovemaking and intense conversation for young singles Bruno and Daniela. Shacked up at a flea-bitten motel for a one-night stand, the pair lingers deep into the night, alternating between powerful physical encounters and an ever-deepening emotional connection.
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The House of the Devil 2009 Film in English

The House of the Devil Film in English 2009

devam : 187 an Stimmrecht
önerme hoş şey : 0.2/10 (02070 oylayarak kararlaştırmak)
yetenek : DAT 720p
HDRip
görüntü : 2081
ustalık : Behälter , Himmel
dil : YE,LS,PH,MO,TH,YT,MO,BB,NZL, TZA, LKA, MRT, SYC
rakam : 9.6/10 (18877 Abstimmungsergebnis)

The House of the Devil 2009 Film in English

The House of the Devil Film in English--türkçe-altyazılı-TVrip-2009-Dolby Digital-MP4-MPEG-1-FLV-M4V-auf italienisch-untertitel-FLV-MPEG-1-Bluray.mp4

The House of the Devil-perlavista-AVI-2009-kostenlos-BRRip-blu ray-Blu-ray-MPE-M2V-uncut-HDTV-AVI-AAF.png

By far, the SLOWEST horror film I've ever watched! Really don't waste the 95 mins it'll take to watch and be stupidly disappointed (stupidly, because you'll feel like an idiot for getting to the end of the film and realising you were being taken for one the whole time!). This film's writer/Director/producer(s) were clearly so besotted with false nostalgia for horror films of the 80s, that they misguidedly picked the worst flaws of the worst films of that era and replicated them here, believing themselves to be making something 'authentic' and true to that time. What they actually made would've been called crap then as much as it should be now! 90 mins of creeping around with no plausible characters, situations or even anything resembling actual *suspense*; then 5 mins of "whooaaah, look: blood and satanic ritual! Isn't that scary?!" Answer: NO, IT BLOODY WELL ISN'T! Now give me back the last 95 mins, you fools!
This one night changes everything for me.

Ti West seems destined to be one of those horror film directors who forever will polarise opinions. For those of us who love the slow burn approach and admire his evident adoration of retro horror, then he hits the mark. Reference The House of the Devil and latterly The Innkeepers. If those two things don't strike a chord with you then it's very likely that The House of the Devil will drive you nuts - but not in a good way.

Plot is simple, Jocelin Donahue plays student Samantha Hughes, who has found the ideal apartment to live in, but needs funds to pay the deposit. Sooooo, answering a flyer advertising for a babysitter, she winds up at some spooky house out in the sticks, where the job isn't exactly what was as expected, and, well the night isn't as expected either...

It's her own fault really, if you ring the bell at a spooky isolated house and Tom Noonan answers the door, well then you should know better than not to run away! But I digress. West's film taps into the satanic panic that gripped certain parts of the states in the 70s and 80s, set in the early 80s the film is a vibrant homage to that era, with a real sense of time and place pulsing away as Samantha is set up for a night of god knows what.

The house is a splendid old creaker and within it Samantha always looks to be one cat's whisker away from being in peril. West doesn't go for continuous boo-jump scares, he lets us and Samantha use our imaginations to unnerve all parties. The screw is slowly turned until hell comes to the party, moving things swiftly to a frenetic finale that closes with a final denouement that old nick himself would approve of.

Dee Wallace Stone does a cameo to add more to the retro flavours, while Noonan and Donahue are superb. It's a film that is patient and asks you for your patience, so those of that ilk, and retro horror hounds too, will love it. Others, not so! 7/10

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[HD] The House of the Devil 2009 Film in English

Kısa film

Harcandı : $521,533,925

Gelir : $816,682,673

Kategoriler : Ideen - Propaganda , Lustig - rätselhaft , Videospiele - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Mädchen - rätselhaft

Üretici Ülke : Kambodscha

Prodüksiyon : UFA Fiction

In the 1980s, college student Samantha Hughes takes a strange babysitting job that coincides with a full lunar eclipse. She slowly realizes her clients harbor a terrifying secret.
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X-Men: Days of Future Past 2014 Film in English

X-Men: Days of Future Past Film in English 2014

süreç : 133 dakika Wählerstimme
önerme tip : 8.8/10 (64073 bildirmek)
kalite : FLV 1440p
TVrip
seyretmek : 5985
yaratıcılık : Rede , Cartoon
dil : TL,DZ,AG,EE,US,AF,AL,PR,ROU, NIC, POL, COL, BHR
sayı saymak : 4.6/10 (74706 Stimmen,
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X-Men: Days of Future Past 2014 Film in English

X-Men: Days of Future Past Film in English-netflix-DVDrip-2014-BRRip-Blu-ray-stream-Sonics-DDP-DTS-stream-MPEG-1-DVD-HDRip-M2V.mp4

X-Men: Days of Future Past-satın-al-BRRip-2014-MP4-Blu-ray-720p-online stream-Blu-ray-M4V-MPEG-2-WEB-DL-1080p-TVrip.png

**Year of release** 2014 **Directed by** Bryan Singer **Written by** Simon Kinberg **Starring** Hugh Jackman James McAvoy Michael Fassbender Jennifer Lawrence Peter Dinklage Ellen Page

**X-Men: Days of Future Past** (rating: 4 ++)

**Plot** - In a dystopian future of 2023 where mutant-kind has been all but wiped out by powerful robots known as Sentinels the last surviving mutants launch one final attempt to save their species from extinction. Hiding out in a monastery in China, Kitty Pryde (Page) sends Wolverine's (Jackman) consciousness back in time to 1973. His task is to prevent Mystique (Lawrence) from murdering the Sentinels' creator Bolivar Trask (Dinklage). His murder made him a martyr and ensured that his destructive creation went into production. In addition, Mystique is captured in the process and her DNA used to engineer even more powerful machines. By stopping the murder the hope is that they will change the future and save their species. Seeking out the young Charles Xavier (McAvoy) Wolverine is despondent to find that he is not the man he will come to know decades later. With Xavier a broken man, Wolverine's first challenge is to help him find his old strength. The next challenge isn't one that sits all that well with Xavier; they must break Magneto (Fassbender) out of a prison cell beneath the Pentagon. To do so they enlist the aid of Quicksilver (Evan Peters), a mutant with superhuman speed. With Magneto and Xavier once again standing side-by-side they head to Paris to attempt to stop Trask's murder at Mystique's hands, but will they make it in time?

In a fitting move considering the storyline of this film allow me to go back in time to the year 2000 where I can still remember going to see the first X-Men film in August of that year. Hard as it may be to believe, the big superhero film was not the guaranteed box office success they are nowadays. Following the disastrous reception that met 1997's Batman & Robin the superhero genre was on life support, and another big failure could have seen the plug pulled. Thankfully for all us fanboys out there the film proved to be both a critical and commercial success, kicking off a surge in comic book films which has seen them come to dominate the box-office. Well somehow 14 years have passed since then (and I can't quite believe that :eek:) and we now have the 7th film in the X-Men franchise. Now since the solid start of X-Men the series hasn't exactly been the most reliable in terms of quality and has been rather overshadowed by the Batman's, Spider-Man's, Iron Man's and Avengers' of this world. In truth you could probably split the previous 6 films evenly into 'the good' and 'the not so good'; though to be fair to The Wolverine which I'd put in the latter category it's pretty decent. Well as the 7th film in the series this was always set to break the tie and the good news is that it has swung the pendulum very much towards the positive side of things.

That said however I didn't find that I was quite as high on the film as many other people seem to be. As seems to be the case for just about every other superhero film these days, the release of DoFP has seen many people instantly jump on the bandwagon of proclaiming this the best superhero film ever. While I certainly wouldn't go that far this is an extremely entertaining entry into the X-Men franchise, and one that continues the upswing of First Class. The film does open in absolutely thrilling fashion and ends quite strongly as well. In between these wonderful bursts of action though I just found that the film had a tendency to fall into a lull on a couple of occasions. With its complicated story the film has to spend a lot of time trying to keep things clear for the audience, which sadly results in the situation and the stakes being reiterated time and time again. It just threatens to get bogged down by becoming overly talky, derailing the momentum and in general I didn't feel it was as well paced as Captain America: The Winter Soldier for example. An additional action sequence or two I don't think would have gone amiss. I also feel that it perhaps lacked the colour, energy and sense of fun of X-Men: First Class. Some of that comes from the fact that I didn't feel DoFP embraced its period setting to the degree that First Class did which on more than one occasion felt like a Sean Connery Bond film. A few snazzy outfits and some brief touches upon the Vietnam War aside I don't think it really exploited the 70s era to the fullest. And I think the Vietnam sequence was actually amongst the film's weaker moments; an unnecessary detour which could easily have been left on cutting room floor.

As I mentioned, the opening sequence of DoFP is a terrific way to kick the film off; in fact I think its got to be one of the best opening gambits of any superhero film. The film instantly drops us right into the middle of a Sentinel attack upon the X-Men in the future; making for an absolutely thrilling opening. It's a wonderfully creative sequence that features some genius choreography as the hitherto unknown Blink (played by Fan Bingbing), with her ability to create teleportation portals, emerges as one of the most visually dazzling mutants we've seen so far throughout the series. It's a terrific set-piece that the film arguably never matches for the next two hours, at least in terms of action and excitement; there is a sequence however that is fantastically entertaining which we'll get to later. The big finale then aims to be and mostly achieves feeling like a suitably epic affair that encapsulates Sentinels, the White House and the RFK sports stadium. At the same time the film is also jumping back and forth between this and the future where the Sentinels have once again launched an assault upon the X-Men. The only problem, and one that is in complete contrast to other superhero films such as Man of Steel, is that I didn't feel its concluding battle was quite long enough. The two competing sequences feel like they are slightly lacking in action and drama, and are over too soon.

**Film Trivia Snippets** - In reference to the X-Men member Kitty Pryde, and her importance to this particular film, DoFP was shot under the working title of “Hello Kitty.” /// Days of Future Past is based on a storyline of the same name that appeared across two issues of Uncanny X-Men in 1981, and was written by Chris Claremont. It is now the fourth film to be based on a story penned by legendary X-Men writer Claremont. X2 was adapted from 'God Loves, Man Kills'; X-Men: The Last Stand was based on his 'Dark Phoenix Saga'; and The Wolverine was based on his comic of the same name. In the comic the future world was set in the year 2013, the same year in which filming for the movie version began. /// The bullet wounds that appear on Wolverine's chest on his arrival to the 1970s is in the form of the Big Dipper. This is an homage to the 1980s anime series, Fist of the North Star, whose protagonist Kenshiro has the same scar pattern on his chest. /// Prior to making the film, Bryan Singer had a two-hour discussion with James Cameron abut how to make a time-travel concept feasible and workable within the film. Thanks to Cameron's experience as the director of The Terminator and Terminator 2 the two discussed concepts including alternate universes and string theory (a field of quantum physics that define multiple universes). /// It's quite clear just by looking at the credits that this is one hell of a cast that's been assembled. If you're looking for more proof however then how about this; the four main female X-Men in the principal cast (Halle Berry, Jennifer Lawrence, Ellen Page and Anna Paquin) are all Academy Award nominess, while the six principle male cast members (Hugh Jackman, Michael Fassbender, James McAvoy, Ian McKellen, Patrick Stewart and Peter Dinklage) are all Golden Globe nominees.

With such a prestigious cast at Bryan Singer's disposal it's no surprise to find that performances across the board are generally of a high standard. Though the sizeable cast means that not everyone gets an equal chance to shine; Halle Berry's involvement for example is little more than a cameo. In fact I'm struggling to think if she even had a single line throughout the whole film or if all she did was make it rain a little bit. And the whole future ensemble are almost completely sidelined, meaning that the established regulars are given little to do other than spout some exposition, while the various new additions (Bishop, Blink, Warpath, Sunspot etc) are given absolutely no introduction whatsoever so we have little reason to care about them or mourn their demise. In fact for the majority of them I'm not even sure there names are known until we get to the closing credits. The lack of exposure given to the future timeline was certainly a disappointment. As a result it's in the past where the most noteable performances come from with solid efforts coming from Lawrence, Fassbender, Jackman etc. However the one individual who is able to stand out from the crowd for me would have to be James McAvoy who I thought was just excellent as the young Charles Xavier. The fact that he is given the strongest characterisation and the most to work with certainly helps. We initially find him as this supremely broken individual who is in great pain both physically and emotionally, but with help from Wolverine he is able to find his way back onto his path.

The two most notable additions to the X-Men world this time out were Evan Peters' Quicksilver and Peter Dinklage's Bolivar Trask. And as it turns out the end result for both was completely flipped from what many were predicting beforehand. The promo images for Quicksilver had fanboys already sharpening their knives before the film had even hit cinemas, ready to tear into him with the kind of fervour reserved for Batsuit nipples and Ben Affleck. And yes I have to say that his appearance still comes across as rather bizarre and stupid, kind of like Julian Assange as styled by Lady Gaga. As a character however he kind of kicks ass, his introduction arguably being the coolest addition to the franchise since Alan Cumming's Nightcrawler back in X2. And just like Nightcrawler had with his incursion into the White House, Quicksilver is given the spotlight all to himself at one point to really make a name for himself. This time it's a break-out from the Pentagon where his incredible speed comes into its own with a terrifically fun and inventive set-piece that allows him to steal the film from his more illustrious co-stars before sadly disappearing shortly afterwards. The way he is just written out is rather disappointing and feels like it's only been done to help free up space for everyone else. It does however leave the audience wanting more, so it's good news that he's going to be starring in X-Men: Apocalypse. My only concern about the character is whether they've actually made him too powerful. They show his abilities as being so strong that you imagine he could destroy any mutants, even the likes of Magneto and Xavier, before they even had the chance to respond.

The real disappointment amongst the cast is Dinklage's Trask. Now Dinklage is a great actor, no doubt about that, and I think he personally does good work here. It's just that the character he is lumbered with here I felt was a little bit dull to be honest (particularly for the film's supposed 'big bad'), giving him very little to really sink his teeth into. That also creates one of the film's few main flaws in my eyes; the lack of a strong villain. Trask kind of takes the place of Senator Kelly from the first X-Men film, but that film also had Magneto and his Brotherhood of Mutants as villains. While the future X-Men do face off against the considerable threat of the Sentinels they are a fairly blank entity devoid of an actual character or personality that can interact with the X-Men. Which is not to say they are not effective foils for our mutant heroes, you just get the feeling that there should be big bad in charge of deploying and controlling those machines. In terms of design the Sentinels may disappoint and likely anger the real X-Men fanboys out there, baring little resemblance to their comic book counterparts. In fact they aren't a million miles away from The Destroyer as seen in the first Thor film. However I don't think there's any denying that they most certainly do make an impact; in fact they are rather chilling, unsettling creations. The fact that the X-Men suffer some very violent, nasty deaths certainly heightens that feeling.

**Film Trivia Snippets** - Bryan Singer talked about "changing history" in an interview with Empire Magazine(May 2014). The director stated "I don't want people to panic about us erasing the movies. I believe in multiverses," explaining the possibility of certain events as they would be part of the history of alternate universes. /// In the "Days of Future Past" comic it was Shadowcat (Kitty Pryde) who went back in time; in the film it's Wolverine. According to writer Simon Kinberg, Kitty was intended to be the time-traveller but it didn't work out: "Kitty in the era of young Magneto and Xavier, would have been negative 20 years old. The reflex response to that was a character who doesn't age. Wolverine is the only character who would look the same in 1973 as he does in the future." Thus, Wolverine was picked for being an ageless immortal character who would bridge past and future. /// To create the sensation of Quicksilver's incredible speed ability Bryan Singer filmed his scenes in a special format of 3600 frames per second. This means that Quicksilver will be moving 150 times faster than normal. /// Josh Helman was originally going to be cast as a young Cain Marko/Juggernaut. But Juggernaut was written out of the film, and Helman was offered the role of a young William Styker. /// Bryan Singer based Bolivar Trask on Adolg Hitler; “As Hitler used the Jews as a scapegoat to bond the darker parts of Europe, he's doing the same thing with mutants. But he wasn't a six foot, perfect blond Aryan - he was a short, funny looking fellow!”

Now considering the fairly dense and complicated storyline that encompasses two timelines and what feels like dozens of characters I think that the film's writer, Simon Kinberg, actually does a fairly commendable job of keeping everything in some kind of balance and managing to just about ensure that it all makes some kind of sense. And considering the twisted mess of continuity that he has had to deal with it would perhaps be unfair to poke holes at it. But hey these are films for comic book fanboys, what do you expect but for us to nitpick! :D The film is still unable to address a few niggling questions, perhaps because that continuity mess makes it almost impossible to actually do so. However questions still linger such as how exactly is Charles Xavier still alive after being killed off in X-Men: The Last Stand? What's the deal with Wolverine's claws and their constant shifting back and forth between adamantium and bone? Still no explanation as to why Xavier and Mystique didn't appear to know each other in the original trilogy, but were so incredibly close according to these films etc. The script has to spend so much time just trying to establish the story that there is little chance to focus on the actual characters at its heart. As someone who loved the Magneto-Xavier relationship and interaction in First Class that's a shame. And it feels like there is barely a single line of dialogue in the whole film that isn't exposition

The script also fails to address a few new issues, just completely glossing over them perhaps in the hopes that we just won't notice. For example when and how exactly did Ellen Page's Kitty Pryde get the ability to send people's consciousness through time? And perhaps it's just me but the whole plot point (and it's a very important one) about Mystique's blood being so vital in the development of the Sentinels seems rather vague and questionable in its logic. If they were going to go down that route I feel Rogue would have been a somewhat more logical choice given that her ability is to replicate the powers of other mutants, not just change her physical appearance. It kind of came across as them just trying to shoehorn Mystique into being as important as possible to the film, largely inspired you suspect by the meteoric rise of Jennifer Lawrence since First Class. In fact with Hugh Jackman getting on in years, and his days as Wolverine coming to an end, the search is on to perhaps try and find the new face of the franchise. With Channing Tatum set to take on the character of Gambit he seems like a decent bet to take over that mantle. However with Days of Future Past they certainly seem to be positioning Jennifer Lawrence as another possibility to take on the role if she were to extend her current deal. I doubt anyone would ever have predicted Mystique being pushed to the fore in such fashion. Oh and just as another little nit-pick; was I the only one who thought the make-up job for Mystique looked rather s*itty this time out? I think it looks a lot more fake now than it ever did even 14 years ago.

Just a few more thoughts to wrap up. After the fresh start that was First Class, bringing Wolverine back and once again making him a central figure feels like a little bit of a step back. While he's only had two official solo films this almost films like the 6th Wolverine-focused film we've now had in the series. And if you're going to bring him back I think you should at least use him correctly. His strongest feature for me is as a brutal, kick-ass warrior, but DoFP actually gives him surprisingly little opportunity to unsheathe those iconic claws of his, placing him more in the role of a diplomat trying to keep the peace between Magneto and Xavier. The fact that the film kills so many of the mutants introduced in First Class offscreen I found quite disappointing. And the use of Blink's portals aside I didn't think the film quite captured the same team dynamic that was present in First Class, with several of the team going off on solo missions or taking their enemies out all by themselves. And now a couple of other little things that I liked. While we get to see very little of it the wasteland that the Earth has become in the future dystopia is a very effective and stirring touch, and one that evokes the future war as seen in the Terminator films. Oh and one little touch that I really loved was the film recreating newreel footage of the decade to match actual footage from the era. It comes off looking like the Zapruder JFK film.

Amongst fans of superhero films, 2008 is seen as a bit of a holy grail for the genre; the release of both The Dark Knight and Iron Man, two of the most acclaimed and loved entries so far, gaining it that reputation. 2014 has so far seen the release of two great efforts (The Winter Soldier and Days of Future Past); if Guardians of the Galaxy lives up to the promise of its trailers then we could have a new contender for that title of comic book movie's holy grail year.

**Conclusion** - I know I've been pointing out a lot of flaws with the film in this review (perhaps as a response to all the gushing over it) but the truth is I did still find it to be an extremely entertaining addition to the X-Men series. As a result of some of those flaws however I'm not quite as high on it as many other people seem to be. For the moment I would have it in 2nd place amongst 2014's superhero flicks behind the excellent Captain America: The Winter Soldier, and after one viewing it would slot into 3rd place amongst the X-Men films.

One thing I should definitely add however is my condition when watching it. As I have been for a great deal of time recently I wasn't feeling particularly great when I went to watch it; feeling rather run-down and a bit yuck. So that perhaps hindered my enjoyment slightly,meaning there's a chance that score could rise on a repeat viewing.



**Bonus Film Trivia** - Patrick Stewart and Ian McKellen were performing in a touring production of "Waiting for Godot" when Bryan Singer approached the actors about reprising their respective roles as Professor X and Magneto. According to McKellen, both men were utterly shocked as they thought they'd passed their roles on to James McAvoy and Michael Fassbender, and would never play the characters again. Both Stewart and McKellen were delighted to return to two of their most popular roles, and to work with the younger actors playing the same characters as well. /// When Matthew Vaughn was going to direct, he was going to make the film a direct sequel to X-Men First Class and have it set in the 1970s. Early ideas included an opening with the Kennedy assassination being caused by Magneto, and mutant encounters set in the Civil rights movement/the Vietnam War. When Singer took over, he integrated these concepts into a viral marketing campaign to set up the action of the film. In this alternate history, Magneto is arrested and imprisoned for the assassination of Kennedy, but maintains his innocence. The "Bent Bullet" Theory (a reference to the real life "Magic Bullet" Theory criticized by conspiracy theorists) holds that the Warren Commission determined that Magneto manipulated Lee Harvey Osawld's bullets to kill the President in retribution for the murder of the mutants Azazel and Tempest by the CIA. Conspiracy theorists, based on Magneto's testimony, insist however that Magneto had tried to prevent the murder of Kennedy, and that the true shooter was not Oswald, but Mystique in disguise who, with the help of Emma Frost framed Magneto, and manipulated Jack Ruby into later murdering Oswald. The theory also posits that Mystique offered to double as Kennedy in an attempt to grab power, all of which backfired horribly, leading to anti-mutant hostilities.
Not as good as the previous X-Men movies but it has a pass... Jennifer Lawrence doesn't even get close to Rebecca Romijn. Also, Michael Fassbender and James McAvoy are really far from their senior characters performed by Ian McKellen and Patrick Stewart but the rest of original cast from first 2000's movie are great, as always.
This is a good and very enjoyable movie which, to me, was a bit surprising since I generally find that time travel is akin to sticking your foot in some messy and smelly stuff. It almost always screws up the movie in some way or another. This one was not without its faults but it did survive becoming too screwed up by it.

The opening scenes are indeed somewhat impressive throwing the viewer directly into an apocalyptic future where mutants as well as human are rounded up by sentinels. I could not help but think about Terminator during these scenes. Maybe not very original from a general point of view but the dark and gloomy opening was not the opening scenes I would have expected from an X-Men movie.

Then we, unfortunately, dive straight into some time travel when they send Wolverine back to 1973. This is of course a opportunity to make yet another twist of the mutant scare, mutants hunt, a good mutant is a dead mutant etc. story that we have seen in so many movies now. The main adversary changes but the general story idea stays the same and the arguments for hunting down the mutants are as silly as ever. Quite frankly, I find that angle a wee bit overdone and boring by now.

Luckily the story is fairly well implemented. The scene were Wolverine wakes up and disposes of the three thugs are rather funny. Pretty standard stuff but pretty funny nevertheless. The part where they retrieve Magneto is quite nice and the scene down in the Pentagon where the guards and everything else is “frozen” while Maximoff calmly walks around and rearranges things is outright hilarious.

I quite disliked the cheap twist where Magneto just decided to go amok and screw things up just when they were about to retrieve Mystique though. They could have spent some time coming up with a better way to twist the story at that time. The idiotic stuff with Wolverine getting a fit at the same time was just adding to my annoyance with that scene. This part is the main reason I will not give this movie a top score.

Apart from this scene the movie is a very well done superhero movie with lots of nice special effects. Sure it is also rather predictable but most people, including myself, do watch these movies mostly for the effects after all. As long as the plot is not downright stupid it get to pass.

Time travel. Okay, I have to harp a bit about time travel. I do not like it in movies because there are too many things that just does not add up. In this movie it is not too bad and most of the time the actual time travel aspect is kept out of the action. Wolverine goes back in time, does his stuff with a lot of action, and saves the day. Sure the dialog often comes back to the “I’m from the future” aspect but not much more. One thing annoys the hell out me though. Wolverine affects a lot of events while he is back there but not a single things seems to change in the future until one single event passes at the end of the movie. Then everything changes and it is happy ending. That is the kind of nonsense that time travel in movies ends up with.

Bottom line is that this is a very enjoyable movie. Without the rubbish plot twist in the middle it would have gotten 9 or 10 stars.
ok..i like all the x-mens except the last one. Logan. That was horrible. a 8 out of 10 for this
***Focuses on the best characters and an interesting story***

"X-Men: Days of Future Past" (2014) starts in an apocalyptic near-future where mutants are being wiped out by Sentinels, government-made robots created for this very purpose. The X-Men and Magneto decide to send Wolverine's consciousness back to his body in 1973 to prevent the Sentinels from attaining their mutant-killing powers.

This is easily one of the best X-Men films because of the interesting plot and the focus on the most interesting characters. Wolverine (Hugh Jackman) has been the top X-Men since day one so you can't go wrong with making him the focal point. James McAvoy and Patrick Stewart are excellent as Professor X, as are Michael Fassbender as young Magneto, Jennifer Lawrence as Mystique and Evan Peters as Quicksilver, the latter in a small but highly entertaining role. Nicholas Hoult as Beast gets an honorable mention and Bingbing Fan is notable as Blink, particularly her stunning face.

The plot is convoluted and yet easy to follow if you're familiar with the franchise's story arc. The film is all-around compelling. It has the confidence to slow down and be pensive while throwing in the requisite thrills and not forgetting to be entertaining. For instance, the creative and amusing way Quicksilver takes down a bunch of security guards at the Pentagon, which is one of the movie's top scenes. Lastly, I like the way Magneto’s great power is illustrated (you’ll see what I mean).

The film runs 2 hours, 11 minutes and was shot in Québec, Canada.

GRADE: A

"

[HD] X-Men: Days of Future Past 2014 Film in English

Kısa film

Harcandı : $090,937,030

Gelir : $228,243,475

Kategoriler : These - Biographie , Reisen - epidiktisch , Dramatischer Dokumentarfilm - Umweltverschmutzung , Flucht - Vernachlässigung

Üretici Ülke : Grenada

Prodüksiyon : Highgate Pictures

The ultimate X-Men ensemble fights a war for the survival of the species across two time periods as they join forces with their younger selves in an epic battle that must change the past – to save our future.
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X-Men: Days of Future Past--altyazılı-full-hd-filmler-2016-sınema-ızle-full-filim-izlee-2016-hd-film-sinema-izle-filmihdizle-full-sinema-izle-film-gibi-izle-hd-film-sinema-izle-2016-film-izle-hd-gfilm-izlee--1440p-AAF.jpg

The Last Boy Scout 1991 Film in English

The Last Boy Scout Film in English 1991

süre : 145 zabıt tutmak Stimmabgabe
oylanan şey hoş şey : 7.9/10 (12254 oylamak)
yetenek : MPG 1080p
Blu-ray
gösterme : 6514
şeytanlık : Identität , Drama
mesleki dil : PH,SC,IN,FO,DO,AS,PK,SJ,MAF, ERI, GIN, ALB, SWZ
katmak : 3.7/10 (30046 Votum)

The Last Boy Scout 1991 Film in English

The Last Boy Scout Film in English-adana-VHSRip-1991-ganzer film-FLA-DVDScr-stream-TVrip-MPE-Bluray-HDRip-stream-MPEG-2.mp4

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"

[HD] The Last Boy Scout 1991 Film in English

Kısa film

Harcandı : $708,447,501

Gelir : $588,661,161

Kategoriler : Schwert - Sozialismus , Hysterisch - Benzin , dumm - einfallsreich , Tod - Skizzen

Üretici Ülke : Armenien

Prodüksiyon : Reveille

Süt içmek boyu uzatırmı » Sayfa 1 3 ~ kesinlikle şurup şeklinde almailk deneyişte kusarsışadığım için söylüyorum spor konusunda da kilo vermen şartama aşırı kilo vermeboyunla kilon arasında 1015 bir fark sağlam bastığını anladığında idealdirbir de depar atarken kaç saniyede tıkandığına dikkat 1015 arası olursa kilon tam idealdir

~ Acil film izlemek isteyenler için geliştirmiş olduğumuz web sitemiz hizmetinizde Film izleme sitemizden hemen istediğiniz filmi açabilir istediğiniz kaliteyi bulabilir ayrıca hem Türkçe Altyazı hemde Türkçe Dublaj seçeneği ile filmi tek parça olarak görüntüleyebilirsiniz

SUT Rehberi ~ SUT 429 Eritropoietin DarbepoetinSevelamerParikalsitol Oral Esansiyel Aminoasit Preparatları ve Keto Analogları Kullanım İlkeleri 6821 kez görüntülendi

Tony Scott Filmlerini izle ~ Acil film izlemek isteyenler için geliştirmiş olduğumuz web sitemiz hizmetinizde Film izleme sitemizden hemen istediğiniz filmi açabilir istediğiniz kaliteyi bulabilir ayrıca hem Türkçe Altyazı hemde Türkçe Dublaj seçeneği ile filmi tek parça olarak görüntüleyebilirsiniz

Bim Süt Fiyatları 2020 Dost Marka Süt Kalitesi ve Tadı ve ~ Bim marketlerinde en çok satılan ürünlerin başında kutu süt ürünleri gelmekte Bim marketlerde satılan tek marka olan Dost süt markası bir çok çeşit ürünü bulunmakta

İÇİM FİT SÜT İNCELEMESİ YÜKSEK PROTEİNLİ SÜT FitCevap ~ Buraya basvuru tıklayarak uzaktan eğitim başvuru formunu doldurabilirsiniz Buraya channel

Chelsea Field Oynadığı Filmler Chelsea Field izle ~ Acil film izlemek isteyenler için geliştirmiş olduğumuz web sitemiz hizmetinizde Film izleme sitemizden hemen istediğiniz filmi açabilir istediğiniz kaliteyi bulabilir ayrıca hem Türkçe Altyazı hemde Türkçe Dublaj seçeneği ile filmi tek parça olarak görüntüleyebilirsiniz

Çiçekli Bitkiler ~ FidanBurada ARAP YASEMİNİ Jasminum Sambac 4799₺ 5782₺ Vergiler Hariç 4067₺ ARAP YASEMİNİ FUL ÇİÇEĞİ Jasminum Sambac 120 Cm Güzel kokulu çiçeği olan Ful egzotik ve tropik herdem yeşil sarılıcı ya da çalı formlu olabilen çok yıllık bir bitkidirİklim

1991 Filmleri izle 1991 Yapımı Filmler ~ 1991 yılında yapılan filmlerin tüm listesi HD kalitede TR Altyazı ve TR Dublaj seçenekleriyle sizlerle

YouTube ~ Sevdiğiniz videoların ve müziklerin keyfini çıkarın orijinal içerik yükleyin ve tümünü YouTubeda arkadaşlarınızla ailenizle ve dünyayla paylaşın

When the girl that detective Joe Hallenback is protecting gets murdered, the boyfriend of the murdered girl attempts to investigate and solve the case. What they discover is that there is deep seated corruption going on between a crooked politician and the owner of a pro football team.
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A Quiet Place 2018 Film in English

A Quiet Place Film in English 2018

süreklilik : 174 tutanak tutmak Abstimmungsergebnis
seçim sonucu miktar : 4.7/10 (46255 oy vermek)
kalite : MPEG 1440p
DVD
kanı : 2782
kurnazlık : Atheist , Verantwortung
mesleki dil : VC,AG,AL,UM,VG,FJ,HM,GM,SGS, MOZ, SRB, STP, MKD
katmak : 6.4/10 (36465 Stimmen,
)

A Quiet Place 2018 Film in English

A Quiet Place Film in English-bedava-stream hd-2018-hd stream-hd stream-online stream-AAF-DVDrip-1080p-online stream-kostenlos-online anschauen-DVDrip.mp4

A Quiet Place-hizli-ve-öfkeli-hobbs-ve-shaw-türkçe-dublaj-(2019)-WMV-2018-online schauen-online anschauen-FLA-Dolby Digital-Blu-ray-BDRip-englisch-AVCHD-MPEG-2-MPG.png

This review contains **spoilers**.
So let’s First get this out of The way I’ve never been more frustrated, by people eating popcorn, fidgeting, & Coming in late.

Anyways form the very start I had so many questions, how’d they get here? Where’d the Monster come from? Etc. And by the end I have no answers and even more questions. Are they gonna survive and kill all the Monsters? Is everyone else dead? Why’d they think to have a baby? But that doesn’t matter.

We’re just tossed into this situation with no explanation to almost anything. The only things we really know is of course making lond sounds means you’re likely gonna die. And High Pitch Sounds Hurts the Monster.

Wish is a smart Choice and come to think of it is kinda obvious, maybe a little too obvious. Like how’d they never think about that? Either way.

A quick note for surviving other then the soundproofing here and there. Why not have a sound bomb of sorts, you could just throw? That would have toldy saved the Dad from having to sacrifice him self.

That isn’t to say they’re stupid they had many Smart decisions such a The sand paths, the box for the baby (wish was kinda sad), the little sound proof room, the Radio, and the fireworks. And that’s just the sound related stuff the Lights and Fires Where also Smart.

Otherwise the cast give us some incredible performances and lots of good chemistry. It probably helps that John and Emily are a real couple. Speaking of wich John Krasinski has Written and Directed a very clever and suspenseful horror film. I’ve never been more scared of corn in my life. Also had jumped at water.

And the sound department specifically the Foley Artist have never shined greater in any film I have ever seen before. The sound is a way flipped from most horror films as it’s when the music drops and everything goes quiet that the Monster attacks. But not in this case everytime the Monster comes it’s a big moment.

Although I have nothing against a R rating. In fact I’m somethimes more likely to see a film because of a R rating, it shows they have gus and they are willing to take a risk. F*ck you MPAA!!!

Anyways some times all kinds of unnecessary crap is put in a Film because they like oh yeah we’re rated R. Although that’s not always needed this Film proves a well done PG-13 can still be dark and brutal. Killing a Child with in the first 10ish minuets, is a little dark. Although come on that kid had it Coming as soon as he grab those batteries. there’s almost a bit of blood maybe the MPAA is pulling back on some things. Probably not those F*ck you MPAA!!!

Ok sorry my review is getting to become rated R. 😆

Also I wanted to note for whatever reason I enjoy films where I can count the entire cast.

Along side Get Out it seems people form comedy make better Horror film Directors then most Horror film Directors. It definitely makes sense though it’s all about that timing.


In Short It was a gripping film from start to finish. I’d highly recommend to all Horror and Thriller Fans. Although because of spoilers in this review you probably already saw it.


So leave a comment and let’s discuss.

No likes
**_No important spoilers here_**

In a **dystopic future**, the humanity has been severely smitten by strange blind creatures that feast on living flesh, both human and animal. In spite of being blind, the creatures have a super hearing and can identify sounds from far away. The creatures are nearly indestructible and very effective killers, and once they hear you, you are most likely dead.

The movie follows a surviving family trying to keep alive in this harsh reality. The movie setup is incredibly well-built to transpire the precaution, the constant fear, and the direful consequences of an unthought action in this terrible future. **The sound effects are awesome**, and the director can successfully use the nearly-constant silence in contrast to the hassle of being followed by those creatures.

The **acting is solid** and helps to immerse the watcher in the well-built plot.

My only regret for this movie is that it ends during a climax, when we are not ready to stop watching it yet. **It could be 30 minutes longer** to explain some missing points and to show what happens after the ending.

Overall, **an awesome movie**, well-thought and beautifully produced in every aspect.
Every time a horror movie does something that I've never seen before, that gets me very excited. _A Quiet Place_ is such a movie. I do believe that maybe _A Quiet Place_ doesn't **quite** deserve the praise that it has received. Not that it isn't a good movie, just that said acclaims have been **so** high, to the point that I think maybe just the fact that it's original isn't enough to earn those laurels.

I still am a fan of the movie, hardline, absolutely, just maybe a little underwhelmed given the reviews.

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
This is far and away one of the best movies I have ever watched, and I've watched a lot of movies! The story is original, no small feat these days, and the acting is just outstanding! John Krasinski and Emily Blunt, along with the children, bring these characters to life, and make us really care, all without the benefit of well written dialogue. That's not easy to do, but they do it. Right from the start, you find yourself drawn into the lives of these people, and can feel the tension, the undercurrent of threat, that they live with every day. Through all they face, we are also given a picture of a solid family, with a dad and mom doing everything possible to care for their children, the family praying together, holding onto faith even under the most difficult of circumstances, and that family dynamic really strengthens the entire story. Who do you rely on when all is changed? When everything goes wrong? Family. Along with the acting, the direction, sets, just everything, come together to deliver a truly scary movie, that doesn't rely on flash to terrify you. Highly recommend this one. We saw it in the theater, and bought it as soon as it hit the stores. Top notch work.

"

[HD] A Quiet Place 2018 Film in English

Kısa film

Harcandı : $683,358,906

Gelir : $147,034,306

Kategoriler : Muss Depression Katastrophenrat - Abtreibung , Zweitens der Name - Unabhängigkeit , Glaube - Super Heroes gesunder Menschenverstand , Horror - Weihnachten

Üretici Ülke : Finnland

Prodüksiyon : Pink TV

A family is forced to live in silence while hiding from creatures that hunt by sound.
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Spy Kids 2001 Film in English

Spy Kids Film in English 2001

süreklilik : 193 saat tutmak Wahlresultat
önerme rakam : 1.8/10 (45069 oylayarak kararlaştırmak)
ses kalitesi : AVI 1440p
DVDScr
görmek : 1690
sanat : Physiologie , Ansicht
lisan : TK,FJ,KY,MF,MR,GS,BE,UZ,JEY, MWI, PRY, LKA, LTU
numara : 7.8/10 (22811 Abstimmung)

Spy Kids 2001 Film in English

Spy Kids Film in English-spoilers-uncut-2001-M4V-Bluray-SDDS-online anschauen-DVDrip-M1V-HDRip-MPE-online stream-720p.mp4

Spy Kids-mall-of-antalya-Sonics-DDP-2001-MPEG-2-englisch-hd stream-stream-film-Bluray-hd stream-FLA-ganzer film-MPEG-1.png

"

[HD] Spy Kids 2001 Film in English

Kısa film

Harcandı : $219,392,272

Gelir : $441,801,309

Kategoriler : von cops - Speech , Ethik Legende - Identität , Kosmisch - Von Verschwörung Regen Émouvant De Vampire , Porträt - Dystopie

Üretici Ülke : Jemen

Prodüksiyon : Rosner Television

Carmen and Juni think their parents are boring. Little do they know that in their day, Gregorio and Ingrid Cortez were the top secret agents from their respective countries. They gave up that life to raise their children. Now, the disappearances of several of their old colleagues forces the Cortez' return from retirement. What they didn't count on was Carmen and Juni joining the "family business."
Spy Kids Full Izle, Spy Kids Türkçe Dublaj Full Izle, Spy Kids türkçe dublaj, Spy Kids full hd izle, Spy Kids türkçe dublaj izle, Spy Kids türkçe altyazı, Spy Kids cinemaximum
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Into the Woods 2014 Film in English

Into the Woods Film in English 2014

süreklilik : 167 dakika Stimme
oy müzik parçası : 4.1/10 (39125 oylayarak kararlaştırmak)
vasıf : Sonics-DDP 1080p
DVDrip
manzara : 0625
yaratıcılık : Unabhängigkeit , Top
mesleki dil : HN,TH,MS,MZ,TG,CN,NO,IQ,CAF, GNB, SJM, PAK, UKR
saymak : 1.1/10 (14279 Abstimmungsergebnis)

Into the Woods 2014 Film in English

Into the Woods Film in English-hızlı-ve-öfkeli-hobbs-vs-shaw-full-türkçe-dublaj-deutsch-2014-download-italienisch-film-VHSRip-FLA-DVDrip-blu ray-ganzer film-hd stream-AVI.mp4

Into the Woods-yenler-ganzer film-2014-AVI-stream hd-HDTS-1440p-HDRip-download-MPEG-stream hd-Bluray-MPEG.png

"

[HD] Into the Woods 2014 Film in English

Kısa film

Harcandı : $213,482,013

Gelir : $436,514,925

Kategoriler : Film Animation - Freundschaft , Quinqui - Religious , Kontroverse - Skizzen , Arbeit - Umweltverschmutzung

Üretici Ülke : Elfenbeinküste

Prodüksiyon : Multimedia Film

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.
Into the Woods Full Izle, Into the Woods Türkçe Dublaj Full Izle, Into the Woods türkçe dublaj, Into the Woods full hd izle, Into the Woods türkçe dublaj izle, Into the Woods türkçe altyazı, Into the Woods cinemaximum
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Arctic 2018 Film in English

Arctic Film in English 2018

süreklilik : 133 saat tutmak Abstimmungsergebnis
oy numara : 7.1/10 (99458 oylayarak kararlaştırmak)
mizaç : M1V 720p
Bluray
görmek : 6978
beceri : Identität , Gesundheit
lisan : PL,CH,KE,BM,CZ,MD,PF,AI,NIU, SWZ, AUS, CPV, KOR
hoş şey : 3.5/10 (73573 Stimmen,
)

Arctic 2018 Film in English

Arctic Film in English-diyarbakır-MP4-2018-AVI-VHSRip-mit untertitel-stream-stream-deutsch-M4V-kostenlos-DVDrip-DVDScr.mp4

Arctic-fragmanı-online stream-2018-DVD-MPE-mit untertitel-italienisch-online stream-HDTS-untertitel-AVCHD-DVDrip-1440p.png

"

[HD] Arctic 2018 Film in English

Kısa film

Harcandı : $136,351,761

Gelir : $198,032,402

Kategoriler : Innerer Frieden - initiativ Klassische Verzweiflung , Erotik - ironie frieden güte gehirn tier angriff wahrheit glück fordernd , Ideen - Potes , Geist - nostalgisch

Üretici Ülke : Estland

Prodüksiyon : Stearns Castle

A man stranded in the Arctic is finally about to receive his long awaited rescue. However, after a tragic accident, his opportunity is lost and he must then decide whether to remain in the relative safety of his camp or embark on a deadly trek through the unknown for potential salvation.
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Disobedience 2017 Film in English

Disobedience Film in English 2017

süre : 161 an Wählerstimme
karar numara : 0.4/10 (32947 oy vermek)
asalet : MPEG-1 1440p
HDTS
manzara : 4797
şeytanlık : Kampfkunst , Porträt
lisan : IQ,RS,TW,SH,GH,ST,HU,UM,ESP, BDI, ARM, DOM, BRA
saymak : 1.0/10 (36875 Abstimmung)

Disobedience 2017 Film in English

Disobedience Film in English-çıkış-tarihi-stream hd-2017-auf englisch-DVDrip-online anschauen-BRRip-ASF-WEB-DL-englisch-HDRip-TVrip-film.mp4

Disobedience-mersin-WMV-2017-online anschauen-ASF-film-AVI-DTS-VHSRip-MPEG-1-hd stream-WMV-kostenlos.png

**Except from a conversation about the movie:**

"I think _Disobedience_ could get some Oscar attention. It's depressing Jewish lesbians, so chances are pretty high. It was actually a pretty decent movie. Really didn't overplay the onscreen sex, which was good, but I do wish there were queer movies which were more middle of the spectrum. Seems like 99% of the time you either get hokey deliberate trash """comedies"""" made on 47c budgets like _Yeti: A Love Story_, or super serious (and almost always super grim) art-y dramas like _Moonlight_ that are very well made but also make you very upset...

Don't get me wrong, I'm very thankful for both of those types of movies, but where's like... _Die Hard_ where Bruce Willis is a shirtlifter?"

**P.S. I'm buying this soundtrack.**

**_**Final rating:★★★ - I liked it. Would personally recommend you give it a go.**_**
**_A well-told love story, set against a background of religious orthodoxy_**

> _An important point to make from the outset is that Jewish law does_ not _teach that it is forbidden to be a homosexual. On the contrary, Jewish law is concerned not with the source of a person's erotic urges nor with inner feelings, but with acts. The Torah forbids the homosexual_ act_, known as_ mishkav zakhar_, but has nothing to say about homosexuality as a state of being or a personal inclination._

> _In other words, traditionally, a person with a homosexual inclination can be an entirely observant Jew a__s long as he or she does not act out that inclination._
>
[...]

> _Lesbianism is never mentioned in the Torah. One talmudic passage refers to homosexual acts between women: "R. Huna taught, Women who have sex one with the other are forbidden to marry a Kohen." The_ Halakhah _rejects Rav Huna's opinion and allows a lesbian to marry a Kohen. However, Maimonides ruled that lesbianism is still prohibited and should be punished by flagellation. The prohibition is not as stringent as that against male homosexuality because the Torah does not explicitly prohibit les­bianism, and because lesbianism does not involve the spilling of seed._

- Rabbi Michael Gold; _Does God Belong in the Bedroom?_ (1991)

Depicting the problems that can arise when deeply held spiritual beliefs clash with notions of personal freedom, _Disobedience_ is the story of a forbidden love given a second chance. Based on Naomi Alderman's 2006 novel, written for the screen by Rebecca Lenkiewicz (_Ida_) and Sebastián Lelio, and directed by Lelio, the film covers some of the same thematic territory as Lelio's previous features; _Gloria_ (2013) deals with a 58-year-old divorcée trying to re-enter the dating scene by frequenting singles-bars, and the Oscar-winning _Una mujer fantástica_ (2017) looks at a transgender waitress trying to come to terms with the death of her boyfriend, whilst also navigating a prejudiced society. In _Disobedience_, Lelio turns his attention towards a lesbian relationship within London's relatively insular Modern Orthodox Jewish community. What all three films have in common is the centrality of a complex and strong woman facing up to (almost exclusively patriarchal) societal hostility. Kind of like a cross between Todd Haynes's _Carol_ (2015) and Daniel Kokotajlo's _Apostasy_ (2017), _Disobedience_ eschews melodrama, and is uninterested in presenting a binary story where faith is the Big Bad. Although it is certainly critical of the strictures that can result from a rigid application of _Halacha_ [Jewish religious laws] and/or a literal interpretation of the _Taryag Mitzvot_ [613 Commandments], the community itself is depicted respectfully, with the most representative Jewish character arguably the most sympathetic figure in the film. _Disobedience_ does feature a very graphic lesbian sex scene, but it's one of the most thematically justified, least exploitative sex scenes I can remember, crystallising many of Lelio's thematic concerns. Although things can be far too on the nose from time to time, Lelio's subtle and non-intrusive direction more than compensates for that, and overall, this is a fine film, both thought-provoking and moving.

The story opens in a synagogue in London as Krushka (the great Anton Lesser), the local Rav, (similar to a rabbi, except an _Halachic_ expert) delivers a sermon explaining that angels and demons are locked into their destinies, with only humanity "_free to choose_". This freedom, however, is both a privilege and a great burden, as it affords humanity the opportunity to disobey the edicts of _HaShem_ [lit. "The Name"; used to refer to God when discussing Him outside scripture]. However, before completing his sermon, Krushka keels over and dies. Meanwhile, in New York, Ronit (Rachel Weisz), his estranged and non-practising daughter gets word of his death. After getting drunk and having anonymous sex with a man in a toilet, Ronit heads back to England. At the home of her childhood friend, Dovid Kuperman (an extraordinary Alessandro Nivola), Krushka's understudy, Ronit quickly learns the community is not especially pleased to see her, as the shadow under which she left has not dissipated. Despite this, and although he wasn't expecting her, Dovid is happy to let Ronit stay with him and his wife, who, Ronit is stunned to learn, is her former best friend, Esti (Rachel McAdams). The film then plays out over the next few days, as the community prepares for Krushka's _levaya_ [funeral], as it becomes apparent that Ronit and Esti were once more than friends, which may, or may not, have had something to do with Ronit's departure and her estrangement from her father. However, the more time they spend in one another's company, the more their once-held passion for one another bubbles to the surface.

Thematically, _Disobedience_ is far more concerned with the clash of views that results from Ronit's return than it is with condemning the beliefs of the community _per se_. When she first arrives at Dovid's house, she instinctively reaches out to hug him, forgetting about _negiah_ [the forbidding of physical contact between men and women not related by blood, or married], and he immediately, although not unkindly, recoils. This tells us both how long she has been away, and how thoroughly she has rejected the doctrines of the faith. Later, there is an exceptionally awkward (but very funny) _Shabbat_ [Jewish day of rest] meal, where Ronit seems to take great delight in being as outrageous as possible, riling up the assembled guests with her progressive worldview. In a discussion about the role of women in society, for example, she points out that every time a woman gets married and takes her husband's surname, a part of that woman's history is erased. This kind of ideological conflict, however, is also found _within_ the characters themselves. Esti, for example, is torn between her desire for Ronit on the one hand, and her commitment to Dovid and her belief in their faith on the other. For her part, Ronit too internalises discord; although she has been estranged from him for many years, she is genuinely hurt to learn just how completely Krushka had divorced himself of her memory, seen most clearly when his obituary refers to him as "_sadly childless_".

Tellingly, during the _Shabbat_ dinner, Dovid tries to play peacekeeper, whilst a couple of cutaways to Esti show her smiling to herself as Ronit burrows under the skin of those present. This kind of delicate touch on Lelio's part can be seen throughout the film, with numerous wordless gestures allowing the actors to convey backstory in lieu of exposition. For example, after Ronit arrives, although Dovid recoils when she tries to hug him, and although when she tries to light up a cigarette in his kitchen, he asks her to smoke in the garden, he accompanies her outside, shielding the flame from the wind in a gesture both kind and intimate. Another excellent example is found later that night as Dovid and Esti prepare for bed, and Esti gently and playfully strokes his beard, suggesting her genuine affection for him.

On paper, the story might lend itself to a condemnation of the kind of social suffocation and emotional repression that can result from fundamentalism. Instead, however, the film spends time building a respectful, if not idealised, picture of the community's beliefs and practices. Although no-one is especially happy that Ronit is back, they are never openly hostile, the way Hasidic Jews, for example, might be. A key part of this respect is Dovid himself, played by Nivola (in an Oscar-worthy career-best performance) as an inherently decent and honourable man; when Ronit returns, he is the only one to extend her a genuine welcome. In a less nuanced film, Dovid would be a fire-and-brimstone obstacle to Ronit and Esti's happiness, a Roger Chillingworth-type personification of traditionalism and rigidity. Instead he is presented as someone who, like Esti, faces a difficult choice – that between his communal position and his faith on the one hand, and his genuine love of Esti and affection for Ronit on the other, his lifelong devotion to the _Tanakh_ [Hebrew Bible] conflicting with the modern day progressive sensibilities that come from living in a metropolis. Indeed, perhaps Dovid's most salient characteristic is conflict – when he tries to lay down the law to Esti regarding her conduct, his heart never seems in it; when he expresses disgust at her tryst with Ronit, he almost seems embarrassed to be reacting the way he is. This conflict is manifested aesthetically in a scene where Dovid is addressing the synagogue. Lelio films the scene in such a tight close-up, that every time Nivola moves even slightly off his mark, he goes out of focus. It's a brilliant example of content generating form, and is typical of Lelio's directorial lightness of touch.

However, for all that, the film never lets you forget that this is a community of _negiah_, where married women must wear a _sheitel_ [wig] in public, and where the genders are strictly divided at religious services. As Ronit and Esti discuss their sexuality, Esti points out that she and Dovid have sex every Friday night, "_as is expected_", and that the reason she was married to Dovid in the first place was that Krushka hoped "_marriage would cure_" her, a concept not a million miles away from homosexual conversion therapy. In this sense, although respectful of the community, even depicting some of the communal benefits of such a tight-knit group, the film does challenge some of the tenets of their belief system, particularly its rigid traditionalism and myopic sexism, both of which feel increasingly out of place in the early 21st-century. In this, _Disobedience_ fits very much into Lelio's _oeuvre_, with all three of his films dealing with repressive _milieus_ placing restrictions on women.

Obviously, a major theme throughout is sexuality. Much has been made of the sex scene between Ronit and Esti, with some critics accusing it of being little more than titillation at best, a graphic example of the male gaze at worst. However, this reading is to completely miss the point of the scene in relation to the narrative as a whole. There are actually two sex scenes in the film; one between Ronit and Esti, and the other between Esti and Dovid. And although they couldn't be more different, they also couldn't exist without one another, as the abandonment, lust, and sense of pressure being released when Esti is with Ronit contrasts sharply with the detached, formulaic, and passionless scene with Dovid; the two scenes explicitly comment on one another, each hinting at the meaning to be found in its counterpart. In this, they recall the four sex scenes in David Cronenberg's _A History of Violence_ (2005) and Abdellatif Kechiche's _La Vie d'Adèle – Chapitres 1 & 2_ (2013), two sets of two scenes which, again, comment upon and contextualise one another. The scene between Ronit and Esti is the physical manifestation of the characters' long-repressed desire for one another, a release of the yearning that has been building up for years. It's a wholly justified narrative moment, and a completely necessary beat for the two characters. It's not an aside or a piece of voyeuristic male fantasy, it's the centre of the whole film. Together, the two scenes represent Esti's binary choice – an unbridled and sexually fulfilling, but unstable relationship with Ronit, or a dutiful and dull, but respectful and secure relationship with Dovid.

If I had one major criticism, it would be that although Lelio's direction is extremely subtle, some of his and Lenkiewicz's writing choices are spectacularly on the nose. The opening sermon is a good example – a religious diatribe whose subject is mankind's freedom to choose, the concomitant ability to disobey, and the notion that freedom is impossible without sacrifice, in a film about these very same issues. Another example is that Dovid and his _yeshiva_ students are discussing the one book of the _Tanakh_ dealing with sexuality rather than spirituality, the _Song of Songs_, whilst Esti's secondary school students are studying adultery in _Othello_. The worst example of this, however, is found when Ronit and Esti go to Krushka's house and Ronit turns on the radio, which just so happens to be playing The Cure's "Lovesong", a song which perfectly encapsulates their situation ("_Whenever I'm alone with you/You make me feel like I am home again_"). It's not exactly subtle. I'm also not a massive fan of Matthew Herbert's score, with its jaunty use of woodwinds cutting against the ominous tone of the narrative.

These two issues aside though, this is an excellently crafted film. Once again examining female desire, issues of patriarchal oppression, and profound self-doubt, Lelio delivers a mature and considered meditation on the conflict between faith and sexuality. Eschewing the kinds of black and white criticism of secular isolationism as seen in films such as Sidney Lumet's _A Stranger Among Us_ (1992) or Boaz Yakin's _A Price Above Rubies_ (1998), Lelio respects the _milieu_ too much to cast it as the villain. Instead, there is an elegance to the way in which he depicts it. Equal parts sensual and spiritual, the lethargic pace and absence of any narrative fireworks will probably alienate some, especially those expecting a pseudo-porn movie, but for the rest of us, this is thoughtful and provocative cinema in the best sense of the term.

"

[HD] Disobedience 2017 Film in English

Kısa film

Harcandı : $585,742,447

Gelir : $085,016,465

Kategoriler : Liebe - Money , Bösewicht - Exil , Schrecken - Unabhängigkeit , ParParties - Werbung

Üretici Ülke : Nigeria

Prodüksiyon : MTD Studios

A woman learns about the death of her Orthodox Jewish father, a rabbi. She returns home and has romantic feelings rekindled for her best childhood friend, who is now married to her cousin.
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