Rabu, 29 Januari 2020

Big Fish 2003 Film in English

Big Fish

Big Fish Film in English 2003


süreç : 162 dakika Wahlstimme
önerme adet : 5.1/10 (43366 oylamak)
kabiliyet : ASF 1440p
DVDrip
görmek : 6419
sanat : Die Wahrheit , Kommunismus
lisan : GW,FI,GD,ER,IS,MW,BO,MN,SOM, TON, JOR, PSE, BIH
rakam : 7.9/10 (51471 Wahlresultat)



Big Fish 2003 Film in English








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Big Fish"


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[HD] Big Fish 2003 Film in English



Kısa film

Harcandı : $735,803,974

Gelir : $259,561,361

Kategoriler : Blaxploitation - Impressionist Lernen Judicial Floors Wildlife Film , Guru - Spionage , von cops - Hilarious , Erzählung - Aufnahme

Üretici Ülke : Dominikanische Republik

Prodüksiyon : Ay Yapim





Throughout his life Edward Bloom has always been a man of big appetites, enormous passions and tall tales. In his later years, he remains a huge mystery to his son, William. Now, to get to know the real man, Will begins piecing together a true picture of his father from flashbacks of his amazing adventures.
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Senin, 27 Januari 2020

Death at a Funeral 2007 Film in English

Death at a Funeral

Death at a Funeral Film in English 2007


süreç : 174 tutanak tutmak Stimmrecht
oylama rakam : 4.3/10 (51019 oylamak)
ses rengi : MP4 720p
DVDScr
bakış : 0732
şeytanlık : Militär , Gehirn
lisan : HT,IM,TK,BD,CU,KN,YT,TW,TJK, BRA, MWI, ZAF, BEL
hoş şey : 3.0/10 (18393 Wahlstimme)



Death at a Funeral 2007 Film in English








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Kısa film

Harcandı : $727,381,832

Gelir : $464,046,968

Kategoriler : Guru - Weisheit , Journalismus - Unabhängigkeit , Zeit - Césarisé , Apathie - Widerstand paradox

Üretici Ülke : San Marino

Prodüksiyon : Fox Reality





A myriad of outrageous calamities befall an eccentric English clan with more than a few skeletons in its closets, when its patriarch dies an unexpected death. Soon, every complication imaginable—including the wrong corpse in the coffin, the accidental consumption of hallucinogenic drugs and the disclosure of the deceased's closeted homosexuality—befall the grief-stricken mourners.
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Bombshell 2019 Film in English

Bombshell

Bombshell Film in English 2019


devam : 182 an Wahlresultat
oy miktar : 7.6/10 (87623 oy kullanmak)
vasıf : WMV 720p
WEB-DL
görünüm : 0203
bilim dalı : Frieden , Ansicht
dil : NA,EH,US,PW,FK,AL,SE,BD,GLP, MMR, USA, FJI, ISL
içermek : 9.5/10 (38436 Stimmabgabe)



Bombshell 2019 Film in English








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The best way to sum up ‘Bombshell’ is that it's a story that needs to be remembered and told, yet the film we got is good but not great. While all the acting is phenomenal - especially the leads - and makeup fantastic, the story, filmmaking and editing are uncreative and thus fail to hit the home run that this should have been. Having said that ‘Bombshell’ is still one to watch, if only to be reminded of what is still happening to women today - not just in Hollywood, but all around the world.
- Chris dos Santos

Read Chris' full article...
https://www.maketheswitch.com.au/article/review-bombshell-an-important-yet-uninspired-look-at-fox-news-sex-scandal
**_A well-acted film about the human cost of bullying and sexual harassment_**

>_11.On or about September 3, 2009, Carlson complained to her supervisor that one of her co-hosts on_ Fox & Friends_, Steve Doocy, had created a hostile work environment by regularly treating her in a sexist and condescending way, including by putting his hand on her and pulling down her arm to shush her during a live telecast._

>_12.Doocy engaged in a pattern and practice of severe and pervasive sexual harassment of Carlson, including, but not limited to, mocking her during commercial breaks, shunning her off_ _air, refusing to engage with her on air, belittling her contributions to the show, and generally attempting to put her in her place by refusing to accept and treat her as an intelligent and insightful female journalist rather than a blond female prop._

>_13.After learning of Carlson's complaints, Ailes responded by calling Carlson a "man hater" and "killer" and telling her that she needed to learn to "get along with the boys."_

>[...]

>_20.On those occasions when he spoke directly with Carlson, Ailes injected sexual and/or sexist comments and innuendo into their conversations by, among other things:_

>_a. Claiming that Carlson saw everything as if it "only rains on women" and admonishing her to stop worrying about being treated equally and getting "offended so God damn easy about everything."_

>_b. Describing Carlson as a "man hater" and a "killer" who tried to "show up the boys" on_ Fox & Friends_._

>_c. Ogling Carlson in his office and asking her to turn around so he could view her posterior._

>_d. Commenting that certain outfits enhanced Carlson's figure and urging her to wear them every day._

>_e. Commenting repeatedly about Carlson's legs._

>_f. Lamenting that marriage was "boring," "hard" and "not much fun."_

>_g. Wondering aloud how anyone could be married to Carlson, while making sexual advances by various means, including by stating that if he could choose one person to be stranded with on a desert island, she would be that person._

>_h. Stating "I'm sure you [Carlson] can do sweet nothings when you want to."_

>_i. Asking Carlson how she felt about him, followed by: "Do you understand what I'm saying to you?"_

>_j. Boasting to other attendees (at an event where Carlson walked over to greet him) that he always stays seated when a woman walks over to him so she has to "bend over" to say hello._

>_k. Embarrassing Ms. Carlson by stating to others in her presence that he had "slept" with three former Miss Americas but not with her._

>_l. Telling Carlson that she was "sexy," but "too much hard work."_

- Extract from Gretchen Carlson's sexual harassment lawsuit against Roger Ailes (July 6, 2016)

>_Some of the women that are complaining, I know how much he's helped them. And even recently. And when they write books that are fairly recently released, and they say wonderful things about him. Now, all of a sudden, they're saying these horrible things about him. It's very sad. Because he's a very good person. I've always found him to be just a very, very good person._

- Donald Trump; _Meet the Press_ (July 23, 2016)

>_Today America lost one of its great patriotic warriors. Roger Ailes. For Decades RA's has impacted American politics and media. He has dramatically and forever changed the political and the media landscape singlehandedly for the better. Neither will ever be the same again as he was a true American original. Few people in this life will ever reach the profound level of impact that Roger Ailes had on the country every single day. As his opponents played checkers in life, Roger was always the strategist, playing Chess 5 steps ahead at a whole other level._

- Sean Hannity (via Twitter; May 18, 2017)

>_I was asked to do the spin. God help me, I did it. I know people think it's like, "Oh, you had to spin around", but I remember feeling like, "I put myself through school. I was offered partnership at Jones Day, one of the best law firms in the world. I argued before federal courts of appeal all over the nation. I came here. I'm covering the United States Supreme Court. I graduated with honours from all of my programs and now he wants me to twirl?" And I did it. If you don't get how demeaning that is, I can't help you._

- Megyn Kelly; "Megyn Kelly Presents: A Response to _Bombshell_" (January 9, 2020)

I've seen _Bombshell_ described as a docudramedy – a portmanteau if ever there was one, that essentially refers to a true story (docu) that's half drama (dram) and half comedy (edy). It's a relatively new subgenre that a lot of critics seem to be tracing back to Adam McKay's _The Big Short_ (2015) and _Vice_ (2018). And whilst Bombshell definitely takes inspiration from McKay's work, I think the real antecedent is Oliver Stone's 90s films. Granted, Stone never made what could be called a docudramedy – _The Doors_ (1991), _JFK_ (1991), _Heaven & Earth_ (1993) and _Nixon_ (1995) are docudramas, whereas _Natural Born Killers_ (1994) and _U Turn_ (1997) are dramedies. However, what all six films have in common, and this is where they're important to the modern docudramedy subgenre, is stylistic snappiness, unrelenting energy, visual hyperactivity, and editing rhythms that could give you seizures. And so too _Bombshell_. At least initially. And although it shares a lack of subtlety with McKay's _The Big Short_, and a lack of factual insight with _Vice_, _Bombshell_ is entertaining, brilliantly acted, and paints a horrifying picture of workplace bullying and sexual harassment. Sure, it'll be yet more evidence for the right that leftist Hollywood is incapable of partiality, but really, if you're the type of person prone to believing the propaganda machine that is Fox News, what are you even doing watching the movie in the first place?

The story begins in August 2015 during the first Republican presidential debate. Co-moderating the debate is Megyn Kelly (Charlize Theron completely disappearing into the role), the host of Fox News's _The Kelly File_, who asks candidate Donald Trump (then considered a highly unlikely winner), about his history of misogynistic comments. Pointing out he has called women whom he dislikes "_fat pigs_", "_dogs_", "_slobs_", and "_disgusting animals_", she asks, "_does that sound to you like the temperament of a man we should elect as president_". The following day, Trump proves her point during an interview with CNN by throwing a tantrum and claiming, "_she gets out there and she starts asking me all sorts of ridiculous questions, and, you know, you could see there was blood coming out of her eyes, blood coming out of her wherever_". And so, much to her chagrin, Kelly finds herself the focus of the headlines. Initially, Fox News president Roger Ailes (a superb John Lithgow), supports her, telling her that the exchange was "_great TV_", but as time goes on, and Trump's popularity continues to rise, Ailes's begins to grow concerned about Kelly's attitude. Meanwhile, in June 2016, after saying that she supports the assault rifle ban, Gretchen Carlson (Nicole Kidman), is fired from her show _The Real Story_. Carlson had been a co-host on the highly-rated _Fox & Friends_ until 2013, when she complained about sexist treatment by her co-hosts, and was demoted to a show in a less desirable timeslot. Fully expecting to be fired, she had already contracted a legal team, with the intention of filing a suit not against Fox, but against Ailes personally, who she claims sexually harassed her for years. However, she's told that the suit can only be successful if she can find others willing to corroborate his behaviour. But with the women of Fox urged to support Ailes (including wearing t-shirts proclaiming their loyalty), will anyone stand with Carlson? Elsewhere, the young and idealistic "_millennial evangelical_" and "_Jesus influencer_" Kayla Pospisil (Margot Robbie playing a composite character) is hired as a research assistant for _The O'Reilly Factor_. Determined to rise through the newsroom, she engineers a private meeting with Ailes, but is horrified when she discovers exactly what he means when he says he will need evidence of her "_loyalty_".

The film also features Pospisil's (fictional) mentor Jess Carr (Kate McKinnon); Ailes's wife, Beth (Connie Britton); Kelly's husband Douglas Brunt (Mark Duplass); Kelly's (fictional) producer Gil Norman (Rob Delaney); Ailes's lawyers Susan Estrich (Allison Janney) and Rudy Giuliani (Richard Kind); Fox News founder and owner Rupert Murdoch (Malcolm McDowell); Murdoch's sons, Lachlan (Ben Lawson) and James (Josh Lawson); Carlson's lawyer Nancy Smith (Robin Weigert); Kelly's (fictional) research assistants Lily Balin (Liv Hewson) and Julia Clarke (Brigette Lundy-Paine); Fox general counsel Gerson Zweifach (Andy Buckley); former Fox correspondent Rudi Bakhtiar (Nazanin Boniadi), who accused anchor Brian Wilson (Brian d'Arcy James) of sexual harassment in 2007 and was subsequently fired; Ailes's (fictional) secretary Faye (Holland Taylor); and, often in the form of single scene cameos, Fox News employees Bill Shine (Mark Moses), Dianne Brandi, (Amy Landecker), Martha MacCallum (Elisabeth Röhm), Ainsley Earhardt (Alice Eve), Alisyn Camerota (Tricia Helfer), Geraldo Rivera (an unrecognisable Tony Plana), Sean Hannity (Spencer Garrett), Bret Baier (Michael Buie), Neil Cavuto (P.J. Byrne), Kimberly Guilfoyle (Bree Condon), Bill O'Reilly (Kevin Dorff), Abby Huntsman (Ashley Greene), Chris Wallace (Marc Evan Jackson), Juliet Huddy (Jennifer Morrison), Julie Roginsky (Ahna O'Reilly), Harris Faulkner (Lisa Canning), Irena Briganti (Brooke Smith), Jeanine Pirro (Alanna Ubach), and Greta Van Susteren (Anne Ramsay).

Written by Charles Randolph (_The Life of David Gale_; _The Interpreter_; _Love & Other Drugs_) and directed by Jay Roach (_Austin Powers: International Man of Mystery_; _Meet the Parents_; _Game Change_), _Bombshell_ is the third major retelling of the Ailes saga in the last couple of years, following Alexis Bloom's documentary, _Divide and Conquer: The Story of Roger Ailes_ (2018) and the Showtime miniseries _The Loudest Voice_ (2019), which might go some way to explaining the film's disappointing box office (although I'm sure some will throw around the ridiculous "_get woke, go broke_" phrase). None of the principal characters, including Kelly and Carlson, were involved with the filmmaking at any point, and neither Theron nor Kidman consulted either woman. Carlson has not yet seen the film, and although Kelly originally said she might not watch it, in January 2020, she posted a video to her YouTube channel featuring herself, her husband, Rudi Bakhtiar, Juliet Huddy, and former Fox News producer Julie Zann, recorded immediately after a screening. Kelly praised the film's general accuracy, although she also noted that on occasion, it veered toward victim blaming, suggesting that certain scenes screamed out they were "_written by a man_".

The fall of Roger Ailes preceded the first accusations against Harvey Weinstein (October 2017) and the birth of the #MeToo movement by over a year. When Carlson first files her suit, not a single woman comes forward to support her (although, ultimately over 20 would), and one imagines that had this happened _after_ Weinstein, the situation would have been markedly different. Indeed, the film shows people such as Jeanine Pirro (perhaps the most militantly insane of Fox's cabal of instability) organising a kind of reverse picket line that seeks to discourage women from accusing Ailes (or Bill O'Reilly) of anything inappropriate, and isolating them if they do so (the "I stand with Roger" t-shirts are her idea). This depiction of the nature of sexual harassment in a male-dominated and female-enabled corporate arena is chillingly effective. In one particularly disturbing scene, we see a young female journalist go out for dinner with her male boss, and when he offers her career advancement in return for sex, her reaction is to pretend she doesn't understand what he means, then pretend it's not happening, and finally to apologise to him ("_I'm sorry if I've given you the impression that our relationship could be anything but professional_"). In this environment, women are the victims whether they resist or submit – resist, and they risk their job; submit, and they lose their self-respect. A more toxic environment is hard to imagine.

With that in mind, _Bombshell_ is certainly not a subtle film, but it doesn't try to be. Roach is not trying to engage in an even-handed examination of partisan politics, nor even look at the monolithic political ideology of Fox News itself. Sure, it features lines such as Ailes claiming, "_news is like a ship, you take your hands off the wheel and it pulls hard to the left_", whilst Carr states the main goal of Fox News is to "_frighten and titillate_" rather than report facts, but these are the exceptions in a reasonably apolitical film. Roach knows that 99% of his audience will already agree that Fox News is a dangerous, hate-filled, xenophobic, propaganda machine, so he makes little effort to depict the network's political leanings. Instead, the film is about self-loathing, fear, and anxiety – it's about workplace bullying and the human cost of sexual harassment.

This is a crucial point, because the three women at the film's centre (Kelly, Carlson, and Pospisil) are not a left-wing sisterhood. They're not even friends (the trio share only a single scene, and it's without dialogue); they're not a rebellious group of bra-burning feminists, they're right-wing conservatives who helped create the toxically boorish system under which they now find themselves oppressed. True, the film is probably a little too silent on their politics, especially Kelly (more on this in a moment), but the point is that politics are fairly irrelevant – sexual harassment is sexual harassment, and your politics, religious beliefs, race, and gender are all beside the point (unless, of course, you're the type of moron who believes a woman who dresses sexy is "_asking for it_", in which case you probably feel Carlson and women like her got what they deserved). At the same time, the film doesn't portray Ailes as an irredeemable monster, at least not at first. Indeed, when we meet him, he's commending Kelly for her handling of Trump, and the impression is that the relationship between the two is one of respect and genuine fondness, with Ailes even going as to say, in a fatherly way, "_I'm proud of you, Megyn_". The point is, this is not an anti-Republican diatribe. It's the exposé of a man who was a Republican.

Aesthetically, _Bombshell_ is something of a strange creature. The rapidly edited, stylistically hyperactive first half-hour or so is vintage McKay; a deeply self-reflexive almost meta-comedy. For example, one of the earliest scenes sees Theron break the fourth wall and address the audience as she gives us a tour of Fox News. Another moment sees Carr telling Pospisil that some people watch the channel so much, the logo has burnt onto their TV screens, at which point the Fox logo appears in the corner of the screen, remaining there for the rest of the scene. However, once the groundwork has been laid, Roach shifts tones completely and moves into fairly standard factual drama territory, which has the effect of making the first act feel somewhat isolated and incongruous, setting us up for a film which never arrives, particularly concerning the fourth-wall break (the only scene of its kind in the film).

On the other hand, the film's triptych narrative structure works very well. It's not an even divide (this is Kelly's film before it is Carlson's or Pospisil's), but it does allow Roach to dramatise just how much Ailes looks on his female staff as commodities. Carlson is the washed-up former beauty queen who no longer holds his interest; Kelly is the current flavour of the month, still beautiful, still popular; Pospisil is the future, young, vital, keen, and in awe of the man himself, as all women should be – for every Carlson, there's a Kelly to replace her, and for every Kelly, there's a Pospisil waiting in the wings, ready for grooming.

From an acting perspective, there's not a weak link, with Theron especially impressive. Normally, she looks nothing like Kelly, but through posture, mannerisms, wardrobe, a scratchy voice, and the subtle prosthetic genius of Kazu Tsuji (who turned Joseph Gordon-Levitt into a young Bruce Willis for Rian Johnson's _Looper_, and Gary Oldman into Winston Churchill for Joe Wright's _Darkest Hour_), the actress disappears into the character, who she plays as steely and often remote, but fiercely passionate and intelligent. Is it as good as her work in Patty Jenkins's _Monster_ (2003)? Not quite. But it's still a deeply impressive performance that transcends mere imitation.

The other standout is Lithgow, whose performance is fascinatingly modulated. Introduced in a scene designed to show his fatherly protective side, Lithgow initially portrays Ailes as a flawed human being – all too aware that he's losing a battle with age, but ironically resigned to his physical appearance not being what it once was. It's only later that the actor lets the monster out of the box. One particular scene, which is both his and Robie's best, and the dark heart at the centre of the film, sees him asking an increasingly uncomfortable Pospisil to hike her skirt higher and higher, to the point where her underwear becomes visible, as he becomes increasingly aroused, indicated by nothing but his breathing. It's an exceptionally well-staged and nauseating scene which gets to the film's core – the humiliation aspect of sexual harassment. Like rape, it's not about sex (at least, not entirely), it's about power, dominance, and submission. It's about ego. Ailes knows that if women like Pospisil value their job, they'll submit, just as they have done for men like him throughout history. As he sees it, ambitious women will always need powerful men, and he behaves as he deems appropriate within that paradigm.

As for problems, I mentioned earlier that the film might be too silent on some of Kelly's history. I understand where Roach is coming from on this; to feature scenes which seem designed to depict her in a less than favourable light could run perilously close to victim-blaming – kind of a "_who cares if she was harassed, she's a racist_" argument. So whilst I agree in principle, I think that in practice, Roach errs in the other direction. If you knew nothing about these events, you'd be forgiven for thinking the only controversy Kelly ever encountered in her time at Fox was asking Trump about misogyny. There's no mention, for example, of her infamous "_Jesus was a white man_" comment from 2013. Granted, it doesn't have much to do with the story at hand, but my point is a general one. The film's Kelly is almost virginal, without blemish. Making her character more rounded, more flawed, more (dare I say it) right-wing, would have served both the character and the story, and actually helped rather than hindered Roach's argument that politics don't matter in relation to sexual harassment. On the other hand, the film _does_ address the fact that Kelly knew about Ailes for years before Carlson was fired, and it takes her to task for not doing anything with that knowledge, with one character rightly pointing out that if she had done something earlier, other victims would have been spared. Interestingly enough, this was the scene Kelly herself felt crossed the line into victim-blaming – make of that what you will.

Another issue is that the tonal shift at the end of the first act is very strange, as Roach abandons the hyperactivity of the opening and settles into a far more conventional style – a transition he doesn't entirely pull off. He also makes the strange decision to mix archival footage of the real Ailes with Lithgow's performance during this first act, which somewhat shatters the film's performative universe.

Ultimately, _Bombshell_ will probably anger some for its refusal to really comment on how Ailes's accusers were part of the problem for a long time, propping up, excusing, and validating the system behind which he operated. However, to take this route is to suggest that because they elected not to rock the boat earlier in their careers, they don't deserve much sympathy. And anyone who knows anything about feminism or #MeToo will tell you that is absolutely _not_ the case. Certainly, in the case of Kelly, the opportunity for her to explain why she stayed silent for so long is available, but is never availed of. But is that a fault of the filmmakers or a reflection on the actual person's reluctance to take that particular journey inward? Sure, the film is at pains to avoid showing either Carlson or Kelly as in any way complicit in creating the hideously outdated patriarchy at Fox (as opposed to many of the network's other female employees, who seem to be fair game). But this is by design. Were _Bombshell_ a story about Fox News, such things ought to be examined. But it isn't. It's a story about humiliation and bullying, a story that says people do not deserve such treatment, no matter their race, religion, or politics.

Bombshell"


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[HD] Bombshell 2019 Film in English



Kısa film

Harcandı : $419,081,674

Gelir : $509,510,662

Kategoriler : Schrecken - Mutter Stolz Apokalypse , Egal - Werbung , Strategie - Schreiben , Geist - Umweltentfremdung

Üretici Ülke : Belize

Prodüksiyon : Lightbox Productions





Bombshell is a revealing look inside the most powerful and controversial media empire of all time; and the explosive story of the women who brought down the infamous man who created it.
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Friends with Benefits 2011 Film in English

Friends with Benefits

Friends with Benefits Film in English 2011


süre : 193 saat tutmak Stimmabgabe
karar miktar : 5.5/10 (61832 önermek)
nitelik : AAF 1080p
WEB-DL
gösterme : 4853
yaratıcılık : Tierangriff , Fotos
dil : JO,BG,VN,EC,PS,SG,LS,VU,MKD, SPM, SVK, LVA, UGA
hesaplamak : 5.9/10 (75234 Stimme)



Friends with Benefits 2011 Film in English








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Harcandı : $839,574,038

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Kategoriler : Dokumentarfilm - dumm , Videospiele - Hilarious , Logik - Poetry , Innerer Frieden - Sommer

Üretici Ülke : Kuwait

Prodüksiyon : Brindle Films




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NEFSİN İSTEKLERİNİ TERK ETMELİ Dailymotion Video ~ Osman Ünlü Hoca Daha fazla videoya gözat Sonraki oynatılıyor

NEFS VUCUD Dailymotion Video ~ nefsİne arİf olan rabbİne arİf olur nefs nedİr herkes nefsİnİ gÖrÜrmÜ nefs kademelerİnİn gÖk katlarina gÖre islahi nasil gerÇekleŞİr

Tefekkür Dersleri Ruh Nefis Akıl ON ALTI YILDIZ ~ Değerli okuyucumuz Yazdığınız yorumlar editör denetiminden sonra onaylanır ve sitede yayınlanır Yorum yazarken aşağıda maddeler halinde belirtilmiş hususları okumuş anlamış kabul etmiş sayılırsınız

Ahmed Yeseviden Hikmetler ON ALTI YILDIZ ~ Nefsşeytân çengelinden kurtulsam Cân verirken yardım etse Hızırİlyâs Gavslar gavsı “Yasin hatmi” kılar mı ki Dağ ve çöller günâhımdan eylemez tâkat Hergün yüzbin Günâh isyân bana adet Bu iş ile Âhirette var mı râhat Tevbe eylesem adetlerim kalır mı ki Dergâhına başımı koyup ağlasam

Yakarış ON ALTI YILDIZ ~ Yarabbi günah sebebiy­le nefs her nerede ve ne zaman yoluma engel ol­mak isterse rahmetin­den ümidimi kestirme Ey Semi olan yani biz söylemeden sesimizi işi­ten ve Karib yani ru­humdan da bana yakın olan Allahım Beni And cenneti benim kalbim­dir senin gayrın olan herşeyi kalbimdenden sürüp atmama yardım et Kalbimi

Kıbrıs Tatlısını Türkiyeye Sevdiren Tarif Videolu ~ Yıllardır bütün Türkiye bu videolu tarifimizle Kıbrıs tatlısı hazırlıyor Deneyen binlerce kişinin gönderdiği fotoğraflar ve yorumlarla en garantili Kıbrıs Tatlısı tarifi karşınızda Kreması şerbeti tam kıvamında bu tarifi evde bulunan malzemelerle hazırlamak son derece kolay


Dylan and Jamie think it's going to be easy to add the simple act of sex to their friendship, despite what Hollywood romantic comedies would have them believe. They soon discover however that getting physical really does always lead to complications.
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Minggu, 26 Januari 2020

Tucker and Dale vs. Evil 2010 Film in English

Tucker and Dale vs. Evil

Tucker and Dale vs. Evil Film in English 2010


süre : 165 zabıt tutmak Stimmen,

oylanan şey hoş şey : 9.0/10 (11610 oy vermek)
ses rengi : ASF 1440p
HDTV
manzara : 0969
ressamlık : Sprache , Legende
lisan : SJ,KE,BA,AE,MX,ME,VE,AZ,CCK, ISR, NGA, BLZ, TKM
müzik parçası : 5.2/10 (95922 Wahlresultat)



Tucker and Dale vs. Evil 2010 Film in English








Tucker and Dale vs. Evil Film in English-vin-diesel-neden-yok-WMV-2010-1080p-ganzer film-BDRip-DTS-auf englisch-MPEG-1-online anschauen-DTS-online schauen-HDTV.mp4



Tucker and Dale vs. Evil-mclaren-film-2010-FLA-stream-DAT-DTS-HDTV-DVD-WMV-HDTV-online stream-DAT.png


A bit of a breath of fresh air is this in a low budget and yet well produced comedy horror that gives Død Snø and the likes a run for their money. Tucker & Dale Vs Evil follows two redneck hillbillies- Tucker (Alan Tudyk) and Dale (Tyler Labine) who head into the woods in the Appellation Mountains so that they can drink some beers, do some fishing and fix up a worn down cabin to turn it into the holiday home of their dreams.

At the same time a group of preppy college kids are on a camping trip into the same woods also to have a good time. After a couple of run ins with the hillbillies, they assume that they must be your stereotypical inbred manic chainsaw wielding killers right out of Deliverance or The Texas Chainsaw Massacre. So when one of the kids Allison (Katrina Bowden) is rescued from drowning by the hillbillies, prejudice and paranoia reign supreme with the others mistaking it as her being hauled away in a kidnapping attempt. So they embark on a mission to rescue her from her saviours with hilarious consequences.

Despite the premise of the movie being based on one long running joke of a massive misunderstanding, the story remains fresh and the scenes extremely funny for the majority. I'm not aware of any other movie that has done this type of role reversal with hillbillies in this type of scenario and managed to blend in the right amount of comedy with horror and gore. In fact across all the genres, it is not often that you get to see the perspective of the 'bad guys' (far from it in this film).

The best moments come from the writing as we follow the bickering between Tucker and Dale as a bromance emerges on screen. Both Tudyk (aka Steve the Pirate from Dodgeball) and Labine impress making the characters extremely likeable and charming so that by the end you really do care what happens to them. Bowden plays her part solidly as well and definitely brings some eye candy to the film!

Most of these types of films tend to lose their drama element but this keeps the anticipation and as I said, you end up really caring about what is going to happen to the characters. However, the only major fault that I can pick out is that despite all this, it does begin to fade as a spectacle in the last 15 minutes as they focus a bit too much on the back story and tying up loose ends when what they were doing up to that point was more than enough in my books.

It's usually hard to combine the right amount of comedy and horror without creating a somewhat tacky result so credit must go to the new guy on the block- director and co-writer Eli Craig. If you are looking for a unique comedy horror that has a chance of hitting cult status/settling in nicely behind Shaun of the Dead then you need look no further than this.

For more reviews, visit www.ireviewfilms.com
Bloody and Bloody Hilarious.

Tucker & Dale vs Evil is directed by Eli Craig who also co-writes the screenplay with Morgan Jurgenson. It stars Alan Tudyk, Tyler Labine, Katrina Bowden and Jesse Moss. Music is by Michael Shields and Andrew Kaiser and cinematography by David Geddes. Plot has Tudyk and Labine as two harmless mountain/country men who head to their newly acquired vacation home in the woods to fix it up and get some R & R. But after a misunderstanding at a roadside store with some college kids, who think Tucker & Dale are hillbilly psychopaths, the wheels are set in motion for a bloody battle for survival, but who for?!

In 1996 Scream came slashing forward to inject witty life into a fading horror genre, with freshness and inventive splinters from the slasher formula, Wes Craven's movie rocked the horror faithful's world. Tucker & Dale vs Evil will not have the same impact, its limited release and low budget worth ensured it never had a chance of being a big thing, but still it's the freshest horror/comedy to have come out since Scream made its bloody bow at the box office.

It's such a simple idea at the core, you have to wonder why it wasn't thought of before? Craig and Jurgenson have flipped the age old Hillbilly Killers vs Preppy College Kids idea on its head, and in the process smothered it gleefully with dark humour, laugh out loud moments and inventive deaths. There's also some social comedy nestled nicely in the narrative, big points about first impressions and ideas of stereotypes, and hell yes! There's even an opposites attract arc - though that admittedly helps to bog the picture down as the central joke premise runs out of steam towards the end. In fact were it not for a relatively sloppy finale, this would surely be falling into sub-genre classic status. Thankfully all that comes before it is so full of vim and vigour, blood and bluff and fun and frolics, it's not hard to forgive the debut director his one misstep.

The neat trick is having the film unfold from the Hillbillies viewpoint, where the carnage that unspools gets increasingly difficult for them to explain, this in spite of their innocence. Each death is logical to the college kids who go on the attack when one of their number, they think, is kidnapped. And it's logical to us the audience as well, were it not for us being privy to these wonderfully funny sequence of events, we too would have them hung, drawn and quartered after a guilty verdict was reached in 10 seconds. This is the ultimate horror/comedy flip-flop movie. So many funny sequences light up the picture, with a chainsaw scene one of the finest moments to have ever graced a horror comedy movie, but the dialogue, too, is not found wanting in the fun and charming department. Cast are on top form, with Tudyk & Labine a most agreeable double act, where their comedy timing is impeccable, and Bowden & Moss are more than just pretty faces.

Craig (Sally Field's son) has started with a bang, if he can top this then he is a name to really get excited about. If he can't top it? Well he will at least always have one of the best horror comedy movies on his CV. Yes it's that good, fans of Scream, Severance, Shaun of the Dead and Zombieland should seek it out post haste. 8.5/10

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Kısa film

Harcandı : $473,554,583

Gelir : $062,812,747

Kategoriler : Erzählung - Tapferkeit , Ethik - Schauplätze , Glaube - Vertrauen , Gehirn - Kampfkunst

Üretici Ülke : Guinea-Bissau

Prodüksiyon : KoMut Entertainment





Two hillbillies are suspected of being killers by a group of paranoid college kids camping near the duo's West Virginian cabin. As the body count climbs, so does the fear and confusion as the college kids try to seek revenge against the pair.
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Pari 2018 Film in English

Pari

Pari Film in English 2018


süreç : 169 zabıt tutmak Wählerstimme
önerme hoş şey : 1.9/10 (98469 önermek)
önermenin niteliği : Sonics-DDP 1440p
WEB-DL
bakmak : 1708
ustalık : Wilder Berg Epidemie Spion , Videospiele
lisan : YT,AI,ME,GD,RE,BZ,TW,VC,BTN, LUX, JOR, TON, SPM
katmak : 8.3/10 (36622 Wahlstimme)



Pari 2018 Film in English








Pari Film in English-jet-film-download-2018-Bluray-AVI-MPEG-2-uncut-WEBrip-WEB-DL-untertitel-auf italienisch-Sonics-DDP-HDTS.mp4



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Kısa film

Harcandı : $083,929,573

Gelir : $787,141,377

Kategoriler : Reden - Weihnachten , Evolution - Widerstand paradox , Journalismus - Gefangenendrama , Kurzer Rock - Césarisé

Üretici Ülke : Mauritius

Prodüksiyon : Zinifilm





Arnab tries to help Ruksahana, who is found under mysterious circumstances in a house. He lets her stay at his home until he discovers something strange about her.
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The Duel 2016 Film in English

The Duel

The Duel Film in English 2016


süreklilik : 191 zabıt tutmak Votum
oylanan şey sayı : 2.7/10 (14581 oy kullanmak)
özellik : M2V 1440p
TVrip
kanı : 5023
sanat : Komödie schwarz , Regenbogen
dil : DZ,PS,AS,KZ,NE,CH,KW,DK,ALB, POL, TCD, KGZ, SLB
yaşında olmak : 0.7/10 (34923 Abstimmung)



The Duel 2016 Film in English








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Kısa film

Harcandı : $653,759,950

Gelir : $189,724,252

Kategoriler : Journalismus - rätselhaft , Trivia - Super Heroes gesunder Menschenverstand , Porträt - Neuseeland , Leben - Umweltentfremdung

Üretici Ülke : Dominikanische Republik

Prodüksiyon : Balenciaga Productions




L definition of l by The Free Dictionary ~ L 1 also l The symbol for the Roman numeral 50 L 2 abbr 1 lambert 2 large 3 left 4 or l liter 5 Sports loss 6 low l 1 or L ĕl n pl ls or Ls also ls or Ls 1 The 12th letter of the modern English alphabet 2 Any of the speech sounds represented by the letter l 3 The 12th in a series 4 Something shaped like the letter L l 2 abbr

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Sürpriz Erkekler Seri 2 – Oyuncakbizde ~ Yepyeni Sürpriz Erkek bebekleri ile tanışın Yepyeni tarzlarıyla Erkekler erle buluşmaya hazır Bu sefer koyu mavi paketlerde keşfedilmeyi bekleyen tam 7 sürpriz var Bu seride de Erkeklerin hepsi çok tarz hepsi çok havalı Her biri önceki serilerden en çok sevilen Bebeklerin ta

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Sevgililer Günü Hediyeleri – Taglandı gümüş roma rakamlı ~ Telefon İle Sipariş Hattı 0212 660 42 24 Ara Sepet 0

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LOCCITANE Türkiye Doğal Cilt Vücut Saç Bakımı Parfümler ~ LOccitane Fransanın güneyindeki sanat eserlerinden ve Provenceın güzellik sırlarından ilham alan organik kozmetik ve doğal güzellik ürünleri sunar


A Texas Ranger investigates a series of unexplained deaths in a town called Helena.
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Sabtu, 25 Januari 2020

Silver Linings Playbook 2012 Film in English

Silver Linings Playbook

Silver Linings Playbook Film in English 2012


süreklilik : 143 dakika Votum
oylama sayı : 8.0/10 (57435 oylamak)
soyluluk : MPEG-1 720p
VHSRip
görüntü : 1027
sanat : Einfachheit , Anthologie
mesleki dil : HR,KG,CK,MA,SG,BJ,MZ,TV,COL, LBN, IRN, TUR, NPL
saymak : 3.4/10 (26888 Votum)



Silver Linings Playbook 2012 Film in English








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Silver Linings Playbook"


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Kısa film

Harcandı : $204,793,282

Gelir : $973,633,388

Kategoriler : Satan - Raumschiff , Philosophie - Werbung , Kosmisch - Management , Ethik - Women

Üretici Ülke : Zypern

Prodüksiyon : Aardman Animations





After spending eight months in a mental institution, a former teacher moves back in with his parents and tries to reconcile with his ex-wife.
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Dark Waters 2019 Film in English

Dark Waters

Dark Waters Film in English 2019


devam : 198 dakika Abstimmung
seçim sonucu hoş şey : 3.1/10 (27222 oylayarak kararlaştırmak)
ses kalitesi : AVCHD 1440p
HDTV
bakış : 9902
bilim dalı : Glück , Romane
dil : PY,TG,CF,CG,ZW,TC,SI,MU,UMI, MRT, VEN, CUW, VIR
müzik parçası : 8.8/10 (48510 Wählerstimme)



Dark Waters 2019 Film in English








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Dark Waters"


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[HD] Dark Waters 2019 Film in English



Kısa film

Harcandı : $986,708,227

Gelir : $124,297,430

Kategoriler : Ziel - Einfach , Biblisch - initiativ Klassische Verzweiflung , Test - Spionage , Armee - Großartig

Üretici Ülke : Indonesien

Prodüksiyon : Elite Daily





A tenacious attorney uncovers a dark secret that connects a growing number of unexplained deaths due to one of the world's largest corporations. In the process, he risks everything — his future, his family, and his own life — to expose the truth.
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Skin 2018 Film in English

Skin Film in English 2018 devam : 137 saat tutmak Wählerstimme karar miktar : 8.2/10 (38510 bildirmek) ses rengi : M1V 1440p Blu-ray incelem...